There are novels that end well, but in between there are human beings acting like human beings. And human beings are not perfect. All of the motives a human being may have, which are mixed, that's the novelists' materials. That's where they have to go. And a lot of that just isn't pretty. We like to think of ourselves as really, really good people. But look in the mirror. Really look. Look at your own mixed motives. And then multiply that.
I meet a lot of readers who first encountered my work in school. And I can only assume there is another group who would run away very fast if they saw me coming, for exactly the same reason. Reading is individual, and not all tastes are alike.
In high school, in 1956, at the age of sixteen, we were not taught "creative writing." We were taught literature and grammar. So no one ever told me I couldn't write both prose and poetry, and I started out writing all the things I still write: poetry, prose fiction - which took me longer to get published - and non-fiction prose.
In the early fight for women's rights, the point was not that women were morally superior or better. The conversation was about the difference between men and women - power, privilege, voting rights, etc. Unfortunately, it quickly moved to the "women are better" argument. If this were true in life or in fiction, we wouldn't have any dark or deep characters. We wouldn't have any Salomes, Carmens, Ophelias. We wouldn't have any jealousy or passion.
Within one's own family money is not the measure of things, unless the person is an absolute Scrooge. Only the most extreme kind of monster would put a price on everything. There are all kinds of other things that we are not supposed to sell - political influence being one of them. We too rarely have public conversations about the common sense of money. We too rarely talk about the human cost of putting some of these economic measures into effect.
I was horrified in high school by the fate of the hanged maids at the end of the Odyssey; it seemed unfair to me, even then.
Kafka thought his stories were hilarious. We don't necessarily have that reaction to them, but he certainly laughed his head off every time he read them out loud.
We do not know how we'd behave. But a lot of people facing fascism didn't become fascists. I don't happen to believe that we are all monsters.
When we cracked the genetic DNA code, opened the big Pandora's box, and it really did become possible to produce chimeras, my ears shot up. Having been brought up among the biologists and having followed various debates about ways to improve the human template and other debates about the true nature of our nature, I began seriously to wonder: What if? We hold in our hands a tool that is more powerful - for good or ill - than any we have wielded before.
The characters [of The Tempest] have always been favorites of mine. It is one of his meditations on art - what it does.
Having been brought up among the biologists and having followed various debates about ways to improve the human template and other debates about the true nature of our nature, I began seriously to wonder: What if? We hold in our hands a tool that is more powerful - for good or ill - than any we have wielded before.
The interesting thing about the religious component, for me, is that Jesus hardly mentions sex at all. He's pretty interested in the poor, he's pretty interested in selling your worldly goods and storing up riches in heaven. However, religious fundamentalists have made it all about sex, and that's like saying, "Look at the sex and we're just not going to talk about what you may be doing in a financial way that is sinful."
It's in Macbeth: "The devil damn thee black, thou cream-faced loon." I seldom have occasion to pull it out, but it's ready and waiting!
The farther north you go, the fewer fruits and vegetables there are. What kind of apple trees do you suggest the Inuit get their apples from? And how much oil is expended transporting such things out there? It's an equation.
You think you have the amount of money that is your credit limit. We're just wired to think that, you know? Until the bill arrives - a sobering moment - you think you're richer than you are.
Nobody quite knows the truth about cats purring, but it does seem to be also a self-healing thing for them, which is why, when you take your cat to the vet and it's frightened, it will purr.
It's true that there is a rescue thing in people, and not just rescuing the family, which is kind of obvious from a biological point of view. But why is it that some people will jump into a freezing river and swim out to a downed plane for total strangers? What is that about? And it seems to be that it's part of your concept of who you are. That's why some people run into the burning buildings, because if they don't, their concept of who they are will be violated. They wouldn't be who they thought they were.
A lot of the stuff Kafka said he thought was hilariously funny.
Even in the tragedies, [William] Shakespeare always put in parts for the comic actors because his audience was mixed. He puts in people who talk like aristocrats. He puts in idiots and fools.
The responsible treatment of this particular Ring of Power is not necessarily to toss it into the Cracks of Doom. But we have to come up with something rather quickly, or what we'll get is the Land of Mordor.
One of the reasons [William] Shakespeare is so endlessly fascinating is that you can look at that figure from about 10 different angles: Caliban in Shakespeare's day was probably viewed as a sort of comic, barbarian type, but into the 19th century there were productions where Caliban was the hero. He's a potential rapist of a minor. Is that a good thing? No, it is not. On the other hand, Prospero's got him cooped up in a cave and tortures him if he doesn't do what Prospero wants. Is that a good thing? No. Shakespeare doesn't let you off easy.
I was delighted with the film [Payback: Debt and the Shadow Side of Wealth]; it almost made me want to be a film-maker!
The film [Payback: Debt and the Shadow Side of Wealth] opens with an Albanian blood feud and goes on to delve into, for instance, prison systems, underpaid tomato pickers, the gulf oil spill. It's all woven together in a sensuous, oblique way that's not the same as the single-message kind of documentary we're used to, with an "answer" at the end. It's more like an exploration. Sort of like what you do with Birth of a Nation.
In Shakespeare Saved My Life, [author Laura Bates] said she got better papers from [prisoners] than she got from people in her regular classes. Because she was teaching, of course, Macbeth, and a number of them had murdered people. The guy who wrote the best paper said, "You do have this, 'Is this a dagger which I see before me?' before you do it, but in my case it was a gun."
I doubt that Canada will be seen forever on the international stage as Mr/s Boring Niceperson, as has been the habit.
