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Marshall McLuhan Quotes - Page 14

Sentimentality, like pornography, is fragmented emotion; a natural consequence of a high visual gradient in any culture.

Sentimentality, like pornography, is fragmented emotion; a natural consequence of a high visual gradient in any culture.

"Through the Vanishing Point: Space in Poetry and Painting". Book by Marshall McLuhan and Harley Parker, January 1968.

Nowadays there is no conversation at all. Teachers distrust talk as much as business men.

Marshall McLuhan, Matie Molinaro, Corinne McLuhan, William Toye (1987). “Letters of Marshall McLuhan”, Oxford University Press, USA

When two seemingly disparate elements are imaginatively poised put in apposition in new and unique ways, startling discoveries often result.

Marshall McLuhan, Quentin Fiore, Jerome Agel (1996). “The medium is the massage: an inventory of effects”, Hardwired

It's misleading to suppose there's any basic difference between education & entertainment. This distinction merely relieves people of the responsibility of looking into the matter.

"Classroom Without Walls". Explorations Magazine, Volume 7, 1957; reprinted in "Explorations in Communication" edited by E. Carpenter and M. McLuhan, 1960, and in "McLuhan: Hot and Cool" edited by Gerald Emanuel Stearn, 1967.

The space of early Greek cosmology was structured by logos - resonant utterance or word.

"Laws of Media: The New Science". Book by Marshall McLuhan, co-written with Eric McLuhan, p. 35, 1988.

I do not say whether it is a good or bad thing. To do so would be meaningless and arrogant.

Marshall McLuhan, Matie Molinaro, Corinne McLuhan, William Toye (1987). “Letters of Marshall McLuhan”, Oxford University Press, USA

Throughout Finnegans Wake Joyce specifies the Tower of Babel as the tower of Sleep, that is, the tower of the witless assumption, or what Bacon calls the reign of the Idols.

Marshall McLuhan, W. Terrence Gordon, Elena Lamberti, Dominique Scheffel-Dunand (2011). “The Gutenberg Galaxy: The Making of Typographic Man”, p.208, University of Toronto Press

Typography tended to alter language from a means of perception and exploration to a portable commodity.

Marshall McLuhan, W. Terrence Gordon, Elena Lamberti, Dominique Scheffel-Dunand (2011). “The Gutenberg Galaxy: The Making of Typographic Man”, p.183, University of Toronto Press

Interface, of the resonant interval as 'where the action is', whether chemical, psychic or social, involves touch.

Marshall McLuhan, Bruce R. Powers (1989). “The global village: transformations in world life and media in the 21st century”, Oxford University Press, USA

Character no longer is shaped by only two earnest, fumbling experts. Now all the world's a sage.

Marshall McLuhan, Quentin Fiore, Jerome Agel (1996). “The medium is the massage: an inventory of effects”, Hardwired

Typography is not only a technology but is in itself a natural resource or staple, like cotton or timber or radio; and, like any staple, it shapes not only private sense ratios but also patterns of communal interdependence.

Marshall McLuhan, W. Terrence Gordon, Elena Lamberti, Dominique Scheffel-Dunand (2011). “The Gutenberg Galaxy: The Making of Typographic Man”, p.330, University of Toronto Press

The victory over Euclidean space was not achieved by isolated individuals, but by a field of young rebels opposed to all absolutes.

"Laws of Media: The New Science". Book by Marshall McLuhan, co-written with Eric McLuhan, p.42, 1988.

The laws of the media, in tetrad form, bring logos and formal cause up to date to reveal analytically the structure of all human artefacts.

"Laws of Media: The New Science". Book by Marshall McLuhan, co-written with Eric McLuhan, p. 127, 1988.

Life. Consider the alternative.

1968 War and Peace in the Global Village.

Nobody can commit photography alone.

Marshall McLuhan (1964). “Understanding media: the extensions of man”