Mohsin Hamid Quotes about Writing

We are all refugees from our childhoods. And so we turn, among other things, to stories. To write a story, to read a story, is to be a refugee from the state of refugees. Writers and readers seek a solution to the problem that time passes, that those who have gone are gone and those who will go, which is to say every one of us, will go. For there was a moment when anything was possible. And there will be a moment when nothing is possible. But in between we can create.

I think walking is very useful, like sleeping and dreaming, as something that's important to my ability to write.

I don't want to be anxious on my day-to-day life. I want to try to imagine a future I'd like to live in and then write books and do things that, in my own small way, make it more likely that that future will come to exist.

If your book is set in the plantation days of the slave-owning South and you write a little romance between two slave owners without acknowledging the system they live, that's a political gesture.

Readers don't work for writers. They work for themselves.

If it takes you seven years to write each novel, you need a patron. And I would rather have my corporate self as my patron than any arts council or bestower of grants.

I took a couple of creative writing classes with Joyce Carol Oates at Princeton University, and in my senior year there, I took a long fiction workshop with Toni Morrison. I fell in love with it.

Novel writing is the slowest art form in the world. It is not a sprint. It is not even a marathon. It is a series of marathons that stretch over and over across a continent.

I take six or seven years to write really small books. There is a kind of aesthetic of leanness, of brevity.

Being a writer is not the point. Writing is.

Novel writing is solitary work.

I don't listen to music when I write. I need silence so I can hear the sound of the words.

For me, writing a novel is like solving a puzzle. But I don't intend my novels as puzzles. I intend them as invitations to dance.

Writing a novel is like an amusement park or a museum or a city. You go into that place and you have certain experiences and those experiences, hopefully, have some impact on you.

I am not much of a researcher as a novelist; I write mainly from experience.

When I'm really plugged in I find it difficult to write. It's like digging a well. If you make a void, something moves in to fill it. Writing books is like that. It's mostly about freeing up time, doing nothing, and in that time some writing starts to happen. We need to figure out how to maintain those voids.

I don't think the function of writing, at least for me as a fiction writer, is to say to people, "Here's the answer." It's not an op-ed.

I think writing is a very political act. I think that any writer who says it's not, is simply a writer who is disavowing the political connotations of what they write.