I shun drawing which is too easily formulated. It does not seem fertilized enough to produce consequences, and a drawing should be a provider of consequences.
My aim is a continuous, sustained, uncontrived image, motivated by nothing but passion.
If we artists are to survive this period at all - we will survive as spokesmen, never again as entertainers.
Someday when I understand more things than I do now, the fundamentals of my drawing will be so tightly woven into those of existence that I will easily and naturally find the design which is the answer to many questions. Meanwhile, I draw continuously.
Occasionally, I like to select a mentor, a master, and let him guide me through a revision of one of my paintings... I try to move into his terrain, bringing my own ammunition... I do not believe... that this belittles my own personality.
Seemingly the most easy of crafts, drawing is the one which reveals most tellingly our incapacity to sustain true vision and our acquiescence to the ready-made.
You cannot simplify love by cutting away all but its essence.
I worked a great deal then, as you can only do on a set theme, absolved from the obligation to find a new fact, a new subject every day.