I think a lot of the more successful artists of our time basically have barracudas for managers
The most important thing is that you make sure you follow the music, which is a musician's way of saying follow your heart. The two things are intertwined. You know, when you even mention the phrase "music business," the older you get, the sourer it sounds. It's a terrible business, you know. Music and business have nothing to do with each other; there's no correlation, so it's always a rub. I would encourage people, don't be swayed by the music business. If you're truly, in your heart, a musician, stay one, and let the business find you.
... don't be afraid to screw up !... one of the key issues to learning is making mistakes ... if you're not making mistakes, you're probably not having a very good time
...I think of improvising as composing - fo me it's all about playing melodies. When I improvise, there's not a lot of real thinking going on, per se - it's more like riding a wave. and I know how to stand on the board
I do believe it's possible to play a lot without overplaying. It's when a musician becomes too self-centred that it becomes problematic. You need to be aware of how what you're doing is affecting everyone else, and that's something young musicians often forget. Playing in a band is a shared experience. It's about what everyone is doing together.
I don't find a lot of people actually saying things through music any longer. They are not trying to say anything with their music, they just want to make money with it. I think it's important to actually say something real, something meaningful, rather than just write some trash and try to sell it.
