Performance is a vehicle for entering different worlds of experiencing.
The spoken form is in fact a very restrained representation of what is possible in the musical language.
Then certainly for a musician timing becomes something that is immediately accessible as a concept, because it's a necessity in ones everyday performance.
If an apprentice does not hear what a master hears, is then that quality not present in the music? Yes and no. In the world in which the apprentice lives no.
I couldn't concentrate on music. So I made the choice to give up my career as a musician in the frontline to deal with the business.
Use your ears to record and your eyes to video.
And if you are playing in several meters at once, there has to be a - not a rigid - but there definitely has to be a reference to a common pulse in the band.
Now, if King Crimson accepts responsibility for innovating its own tradition, you can't accept responsibility for the audience. And there is an enormous tangible weight of expectation, which comes from an audience attending a King Crimson concert.
To me, Bill's musical heart is in Earthworks, in the jazz they are playing, in the acoustic kit.
My life has improved so much since I stopped doing interviews.
