I can find my way from 500 A.D. through to 1066 pretty well as an amateur historian.
You would find in a lot of Zep stuff that the riff was the juggernaut that careered through and I worked the lyrics around this.
The trouble is now, with rock'n'roll and stuff, it gets so big that it loses what once upon a time was a magnificent thing, where it was special and quite elusive and occasionally a little sinister and it had its own world nobody could get in.
I think we're in a disposable world and 'Stairway to Heaven' is one of the things that hasn't quite been thrown away yet.
I'd like to write a big rock anthem again. I just need to listen to Korn, and then I might get the idea of how to do it.
I'll just carry on being a dated flower child.
I've stopped apologizing to myself for having this great period of success and financial acceptance.
Don't be hard on yourself. And take as many chances, risks, as you can. You've got to be out there adventuring with the voice. Because if you're just a singer for the sake of it, it's not quite enough.
The essence of Bonham is what he didn't play rather than what he did play - what he left out.
I know that bands that haven't put out a record for 10 years are playing to 20,000 people a night. But that's not the achievement.
Life isn't moving quickly - time moves very quickly.
Little drops of rain Whisper of the pain Tears of love Lost in the days gone by.
I think Led Zeppelin must have worn some of the most peculiar clothing that men had ever been seen to wear without cracking a smile.
Led Zeppelin has been there through three generations of teenage angst. And there's a generation of kids now who won't know it, post-Linkin Park.
People have got to let their bodies breathe a little bit more. That's the great thing about being a pompous, jumped-up rock god. There's plenty of air around you.
To rock isn't necessarily to cavort.
There have been people I've warmed to over the years but, as the situation I'm in is so fleeting and transient, I've always known it's going to be over kind of real quick.
What I lack in style and craft, I can make up for in joy and enthusiasm. I like to be around people who are at ease so I like to think the 25-year-old would find me quite an easy-going late-middle-aged hippie.
Each album comes from definitely a different period in the evolution of each of us individually as creators and the role that we take in life. The external stimuli changed... so the songs are full of lots of different meanings.
I realized what Led Zeppelin was about around the end of our first U.S. tour. We started off not even on the bill in Denver, and by the time we got to New York we were second to Iron Butterfly, and they didn't want to go on!
There's not a lot of towns that I can go to and take family - too many incongruous knocks on doors - "Hello, honey. Have you missed me?"
There's a similarity between European and North African folk musics.
Six months go by very quickly when you're a genius.
I like to make my voice sound like a piece of tin that's been stuck on the side of a chair, lifted up as far as it would go and then let to spring - "doooiiinng." I like to make it into a piece of metal from time to time and I can do it, both with the movements in my throat and with, uh, my little toys... So I like to take it beyond just a voice, more into the realms of a weapon.
And there are certain songs that are really timepieces and shouldn't be touched. But some of them are a celebration of good humour and sensibility and I think that's okay. I don't care about the past, I'm a musician with ambition.