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Samuel Johnson Quotes about Writing - Page 4

All Samuel Johnson Quotes Abstinence Abuse Accidents Achievement Adventure Advertising Affection Age Aging Alcohol Ambition Anxiety Appearance Appreciation Army Arrogance Art Atheism Attitude Authority Being Yourself Belief Benevolence Bitterness Blindness Bravery Business Change Character Charity Childhood Children Choices Church Civility Communication Community Compassion Confidence Consciousness Cooking Corruption Country Courage Crime Criticism Culture Curiosity Darkness Death Deception Defeat Design Desire Determination Devil Difficulty Dignity Disappointment Doubt Drinking Duty Dying Education Effort Elegance Energy English Language Envy Equality Evidence Evil Excellence Exercise Expectations Failing Failure Fame Fashion Fate Fear Feelings Flattery Flight Focus Food Freedom Friends Friendship Funny Future Genius Giving Glory Gold Goodness Grace Gratitude Greatness Grief Grieving Guilt Happiness Hate Hatred Health Heart Heaven History Home Honesty Honor Hope House Humanity Hunger Hurt Husband Hypocrisy Ignorance Imagination Imitation Imperfection Injury Innocence Inspirational Integrity Intelligence Journey Joy Judgement Judging Judgment Justice Kindness Knowledge Labor Language Laughter Laziness Learning Liberty Life Life And Death Life And Love Literature Losing Loss Love Lying Mankind Manners Marriage Meditation Memories Miscarriage Modesty Money Morality Morning Motivational Nature Office Opportunity Originality Overcoming Pain Passion Past Patience Peace Perfection Perseverance Philosophy Pleasure Poetry Politics Positive Positive Thinking Poverty Power Praise Prejudice Preparation Pride Privacy Progress Property Prosperity Prudence Purpose Quality Reading Reality Reflection Regret Rejection Religion Repentance Reputation Resentment Respect Retirement Revenge Revolution Sacrifice Safety Sailing School Science Security Self Esteem Self Love Shame Silence Sin Sleep Sloth Society Solitude Sorrow Soul Spring Struggle Study Stupidity Style Success Suffering Sunshine Talent Teaching Temptation Theatre Time Tragedy Travel Trust Truth Tyranny Uncertainty Understanding Values Violence Virtue Waiting Wall War Water Weakness Wealth Whiskey Wife Wine Winter Wisdom Wit Work Worry Writing quotes Youth

In lapidary inscriptions a man is not upon oath.

In lapidary inscriptions a man is not upon oath.

Memories, Writing, Men

In James Boswell 'The Life of Samuel Johnson' (1791) vol. 2, p. 407 (1775)

A transition from an author's book to his conversation is too often like an entrance into a large city, after a distant prospect. Remotely, we see nothing but spires of temples and turrets of palaces, and imagine it the residence of splendour, grandeur, and magnificence; but when we have passed the gates, we find it perplexed with narrow passages, disgraced with despicable cottages, embarrassed with obstructions, and clouded with smoke.

Fear, Book, Writing

Samuel Johnson (1827). “The Rambler”, p.13

...it will not always happen that the success of a poet is proportionate to his labor.

Writing, Poet, Labor

Samuel Johnson (1854). “Lives of the British Poets: In Four Volumes”, p.244

Tediousness is the most fatal of all faults.

Writing, Faults

Samuel Johnson, Baron Thomas Babington Macaulay Macaulay (1854). “Lives of the most eminent English poets: with critical observations on their works”, p.223

The purpose of a writer is to be read, and the criticism which would destroy the power of pleasing must be blown aside

Reading, Writing, Criticism

Samuel Johnson (1804). “The Lives of the Poets of Great Britain and Ireland: And a Criticism on Their Works”, p.569

No writer can be fully convicted of imitation except there is a concurrence of more resemblance than can be imagined to have happened by chance; as where the same ideas are conjoined without any natural series or necessary coherence, or where not only the thought but the words are copied.

Writing, Ideas, Coherence

Samuel Johnson (1825). “The Works of Samuel Johnson, LL.D.: With Murphy's Essay”, p.106

As not every instance of similitude can be considered as a proof of imitation, so not every imitation ought to be stigmatised as plagiarism. The adoption of a noble sentiment, or the insertion of a borrowed ornament, may sometimes display so much judgment as will almost compensate for invention; and an inferior genius may, without any imputation of servility, pursue the paths of the ancients, provided he declines to tread in their footsteps.

Writing, Adoption, Ornaments

Samuel Johnson (1782). “The Beauties of Johnson: Consisting of Maxims and Observations, Moral, Critical, and Miscellaneous”, p.117

The complaint, therefore, that all topicks are preoccupied, is nothing more than the murmur of ignorance or idleness, by which some discourage others, and some themselves; the mutability of mankind will always furnish writers with new images, and the luxuriance of fancy may always embellish them with new decorations.

Ignorance, Writing, May

Samuel Johnson (2003). “Selected Essays”, p.525, Penguin UK

To exact of every man who writes that he should say something new, would be to reduce authors to a small number; to oblige the most fertile genius to say only what is new, would be to contract his volumes to a few pages. Yet, surely, there ought to be some bounds to repetition; libraries ought no more to be heaped for ever with the same thoughts differently expressed, than with the same books differently decorated.

Book, Writing, Men

Samuel Johnson, Elizabeth Carter, Samuel Richardson, Catherine Talbot (1825). “The Rambler: A Periodical Paper, Published in 1750, 1751, 1752”

The liberty of the press is a blessing when we are inclined to write against others, and a calamity when we find ourselves overborne by the multitude of our assailants.

Writing, Blessing, Liberty

Samuel Johnson, Arthur Murphy (1857). “The Works of Samuel Johnson, LL.D.: With an Essay on His Life and Genius”, p.191

The wickedness of a loose or profane author is more atrocious than that of a giddy libertine or drunken ravisher, not only because it extends its effects wider, as a pestilence that taints the air is more destructive than poison infused in a draught, but because it is committed with cool deliberation.

Writing, Air, Poison

Samuel Johnson (1761). “The Rambler: In Four Volumes”, p.123

The faults of a writer of acknowledged excellence are more dangerous, because the influence of his example is more extensive; and the interest of learning requires that they should be discovered and stigmatized, before they have the sanction of antiquity conferred upon them, and become precedents of indisputable authority.

Writing, Excellence, Example

Samuel Johnson, Elizabeth Carter, Hester Mulson Chapone, Samuel Richardson, Catherine Talbot (1785). “The Rambler”, p.212

You may abuse a tragedy, though you cannot write one. You may scold a carpenter who has made you a bad table, though you cannot make a table. It is not your trade to make tables.

Writing, Abuse, Criticism

On literary criticism, in James Boswell 'The Life of Samuel Johnson' (1791) vol. 1, p. 409 (25 June 1763)

Among the numerous requisites that must concur to complete an author, few are of more importance than an early entrance into the living world. The seed of knowledge may be planted in solitude, but must be cultivated in public. Argumentation may be taught in colleges, and theories formed in retirement; but the artifice of embellishment and the powers of attraction can be gained only by a general converse.

Retirement, Writing, College

Samuel Johnson (1977). “Selected Poetry and Prose”, p.215, Univ of California Press

Whoever desires, for his writings or himself, what none can reasonably contemn, the favour of mankind, must add grace to strength, and make his thoughts agreeable as well as useful. Many complain of neglect who never tried to attract regard.

Writing, Grace, Desire

Samuel Johnson (1784). “The Rambler: In Four Volumes..”, p.49

The diversion of baiting an author has the sanction of all ages and nations, and is more lawful than the sport of teasing other animals, because, for the most part, he comes voluntarily to the stake, furnished, as he imagines, by the patron powers of literature, with resistless weapons, and impenetrable armour, with the mail of the boar of Erymanth, and the paws of the lion of Nemea.

Sports, Writing, Animal

Samuel Johnson, Arthur Murphy (1840). “The Works of Samuel Johnson, LL. D.: With an Essay on His Life and Genius /c by Arthur Murphy, Esq”, p.267

Critics ought never to be consulted, but while errors may yet be rectified or insipidity suppressed. But when the book has once been dismissed into the world, and can be no more retouched, I know not whether a very different conduct should not be prescribed, and whether firmness and spirit may not sometimes be of use to overpower arrogance and repel brutality.

Book, Writing, Errors

Samuel Johnson (2003). “Selected Essays”, p.433, Penguin UK

The animadversions of critics are commonly such as may easily provoke the sedatest writer to some quickness of resentment and asperity of reply.

Writing, May, Resentment

Samuel Johnson (1820). “The Rambler”, p.394

There are certain topicks which are never exhausted. Of some images and sentiments the mind of man may be said to be enamoured; it meets them, however often they occur, with the same ardour which a lover feels at the sight of his mistress, and parts from them with the same regret when they can no longer be enjoyed.

Regret, Writing, Men

Samuel Johnson (1825). “The Works of Samuel Johnson, LL.D.”, p.100

General irregularities are known in time to remedy themselves. By the constitution of ancient Egypt, the priesthood was continually increasing, till at length there was no people beside themselves; the establishment was then dissolved, and the number of priests was reduced and limited. Thus among us, writers will, perhaps, be multiplied, till no readers will be found, and then the ambition of writing must necessarily cease.

Ambition, Writing, Egypt

Samuel Johnson (1836). “The Works of Samuel Johnson, LL.: D., with an Essay on His Life and Genius”, p.344

It is, however, not necessary, that a man should forbear to write, till he has discovered some truth unknown before; he may be sufficiently useful, by only diversifying the surface of knowledge, and luring the mind by a new appearance to a second view of those beauties which it had passed over inattentively before.

Writing, Men, Views

Samuel Johnson (2009). “Samuel Johnson: Selected Writings”, p.204, Harvard University Press

Every man speaks and writes with intent to be understood; and it can seldom happen but he that understands himself, might convey his notions to another, if, content to be understood, he did not seek to be admired; but when once he begins to contrive how his sentiments may be received, not with most ease to his reader, but with most advantage to himself, he then transfers his consideration from words to sounds, from sentences to periods, and, as he grows more elegant, becomes less intelligible.

Writing, Men, Ease

Samuel Johnson (1800). “The Idler: With Additional Essays”, p.122

Many leave the labours of half their life to their executors and to chance, because they will not send them abroad unfinished, and are unable to finish them, having prescribed to themselves such a degree of exactness as human diligence can scarcely ontain.

Writing, Degrees, Half

Samuel Johnson (1810). “The works of Samuel Johnson, LL.D.: With An essay on his life and genius”, p.262

If an author be supposed to involve his thoughts in voluntary obscurity, and to obstruct, by unnecessary difficulties, a mind eager in the pursuit of truth; if he writes not to make others learned, but to boast the learning which he possesses himself, and wishes to be admired rather than understood, he counteracts the first end of writing, and justly suffers the utmost severity of censure, or the more afflicting severity of neglect.

Writing, Mind, Suffering

Samuel Johnson, Elizabeth Carter, Samuel Richardson, Catherine Talbot (1825). “The Rambler: A Periodical Paper, Published in 1750, 1751, 1752”

Truth, like beauty, varies its fashions, and is best recommended by different dresses to different minds; and he that recalls the attention of mankind to any part of learning which time has left behind it, may be truly said to advance the literatures of his own age. As the manners of nations vary, new topicks of persuasion become necessary, and new combinations of imagery are produced; and he that can accommodate himself to the reigning taste, may always have readers who perhaps would not have looked upon better performances.

Fashion, Writing, Mind

Samuel Johnson, Elizabeth Carter, Samuel Richardson, Catherine Talbot (1825). “The Rambler: A Periodical Paper, Published in 1750, 1751, 1752”

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