On this global stage, Superman is someone that we can all look up to and he's almost kind of ultimately American.
That's what everyone thinks--they think being a cop is about punishing people for doing wrong. But that's not true. You know it isn't. It's about believing in people, believing in the good. In the will of people to do what's right despite their own instincts.
I always, always got to be the last man standing.
What Batman is saying is that, "I want to try something new that's more about this era and this moment." And I do think that it speaks to a modern take [as opposed] to a 90s take or a 2000s take being maybe the older program about having a sidekick.
There's nothing comparative to Damien [the current Robin] or any of the other characters. I love those characters. And this isn't, "This is better than that." I think a couple of people misread what we had said in the first issue about that stuff.
"The Cursed Wheel," which Declan [Shalvey] is starting here, is the one constant. It's a story in the backups that will go through the whole year and be the one consistent narrative. It anchors the entire [book].
Bruce sees in this character - who fought all the way through "Superheavy" when his parents were missing, and now is determined to fight even though his parents are telling him he's worth nothing - the essence of Batman.
It's one of the worst nightmare situations we could create for a young character, having the people who are supposed to believe in you keep telling you you're nothing.
[Bruce] sees a lot of himself in [Batman], you know? You could argue that something even worse than what happened to Bruce happened to [Duke's] parents, who are now Joker-ized*. They're not just gone or irretrievably lost. And I'm NOT curing them, so you can put that out there! There's no relief from that.
I really wanted to make sure that if we set Duke up, that he's set up the right way and he's his own hero for the right reasons.
The hope that they have legs. That's the biggest fear you always have creating new people. You love them, but then they kind of dissipate. Sometimes you don't get to write them as much as you'd like, like me and Harper Row.
[Duke] is the same way that Harper Row is a character who doesn't want to know who you are beneath the mask, and that makes her interesting. She'll show up and help Batman, but she never wants to know if he's Bruce Wayne.
Duke is a character who believes that heroism and the Robin mantle can exist entirely separate from Batman himself.
First of all, what made him [Duke in "Zero Year"] captivating is this sense of somebody who wants to save the city regardless of whether Batman wants to or not, but has been inspired by Batman. He's always been - not combative with Batman or anything - but I think he has a sense that what Robin is and what heroism is in Gotham is something that's inspired by Batman and sort of separate from Batman.
