I'm an expert in hookers. I'm an expert in doormats. I'm an expert in victims. They were the best parts. And when I woke up--sociologically, politically, and creatively--I could no longer take those parts and look in the mirror.
The secret is to let the audience feel through the actress, rather than having the actress feel for the audience. When you can do that, you involved the audience almost without their knowledge or awareness.
I simply channeled a character, this time I allowed the character to inhabit me.
I'm very involved with learning to be self-sufficient.
I think materialism has trumped a lot of stuff, but I don't think it has trumped the heart, especially when it comes to (a person's) last thought.
Some people think I look like a sweet potato, I consider myself a spud with a heart of gold.
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I realized that if what we call human nature can be changed, then absolutely anything is possible. From that moment my life changed.
I would say the biggest risk I always take is going in front of a live audience. There's nothing more risky to do. You have to really leave yourself open to your own authenticity, and you find that out pretty quick.
I have a lot of friends who are around. I'm having a wonderful time in my life now with my platonic relationships with men and women, because when that sexual tension is off the requirement of the interplay, then you get to who the people really are, and to yourself.
I'm very aware, but I'm very naïve. When you are really naïve and expecting safety and expecting the best, you don't feel you're taking risks. You can get smacked a little, but usually it works out pretty well. I would say that, as much as you can instill your open-minded naivety, if you're basically open minded, then you can do damn near anything.
Things are done according to money these days.
I watched my head rolling on the floor. It landed face up and a big tear came out of one eye.
I mean, I'm just speaking of my own experiences and my own desires, and it's a kind of a childlike wonder that could really possibly speculate on other dimensions.
On things she had to pack before leaving her home in advance of a forest fire, 1996. Childhood pictures and pictures of my life. Do you know how many pictures that is? Not just this life; I have pictures from 13,000 lives.
I'd like to introduce someone who has just come into my life. I've admired him for 35 years. He's someone who represents integrity, honesty, art, and on top of that stuff I'm actually sleeping with him.
Usually I'm right, by the way - so never mind all the other.
I'm too direct and too unsparingly impatient.
I'm an artist, therefore I think I am sensitive to human pain.
It is incredible, when you start believing in angels your life becomes a lot smoother.
We've had so many lifetimes of different cultures and different religions and different points of view and different wars and different loves and different children.
Audrey was the kind of person who when she saw someone else suffering tried to take their pain on herself. She was a healer. She knew how to love. You didn't have to be in constant contact with her to feel you had a friend. We always picked up right where we left off.
I believe in UFOs, I believe in extraterrestrials, and I believe in angels. And maybe they'll protect all of us.
Women love working together. That's my experience anyway.
For if the talent or individuality is there, it should be expressed. If it doesn't find its way out into the air, it can be turned inward and gnaw like the fox at the Spartan boy's belly.