It's amazing what these superhero movies have become.
You can't kill a good comic book series.
You can read a Shakespeare play, but does that mean you wouldn't want to see it on the stage?
I love Marvel and the people there. Im glad I m still part of it.
There's never a time when I'm not working. I don't take vacations.
I'm just working with ideas in my head and with drawings that the artists did. And suddenly to see these things come to life in movies - it's just wonderful.
The "problem" is that Comic-Con is so damned successful. People who are there seem to have a wonderful time. The very size of it makes it exciting. Wherever you look, there's something exciting. The attendees are always looking around for a familiar face. It's either 'There's a movie star!' Or, 'There's a TV star!' Or, 'There's the guy who drew the Green Lantern!' It means so much to the fans. It makes them feel like they're where it's happening. It's like Woodstock.
I think there's the element of the excitement of what I'm going to see, and with the special effects where you see men flying and walking through walls and shooting flame or whatever they do, especially the younger audiences, which make up a bulk of the moviegoers, they love that sort of thing.
If you have superheroes or characters that exist in the same world, and you're doing movies of them, wouldn't it be fun to put a couple of them together in one movie? Audiences love that. It's a natural thing to do that.
The only time I go on the set is when I have a cameo to do in the picture. I go to the set and I do my little cameo and I meet all the people. It's a great way to spend the day. And then I go back to my own world.
Most people say, "I can't wait to retire so I can play golf," or go yachting or whatever they do. Well, if I was playing golf, I would want that to finish so I could go and dream up a new TV show.
That's what everybody tells me. "I would've had a great comic-book collection, but my mother made me throw them away." But when I was growing up, my mother didn't care. As long as I was reading, she didn't care if my room was filled with comics. I could have saved everything. I was just too stupid to do it.
I couldn't afford [buying Marvel]. I hope I have enough money for dinner tonight!
Once you get the script, you then hope you can get the director that you want. Then you hope he can get the cast he wants. Again, you can go quickly or there can be a million stumbling blocks. There's just no way to know.
The main thing I want to do, is to make our website the most entertaining website there is on the Internet. I want it to be the premiere site for entertainment, for communication, and for fun.
I'd like to own Intel... I'd like to own Microsoft... I'd love to have Warner Bros in my hip pocket.
We have enough to do just trying to make our company what we want it to be. As far as whether I would like to own Marvel, sure, I'd like to own Marvel.
I think I've got 12... Superman, Batman, Wonder Woman, The Flash, Aquaman, Plastic-Man, Green Lantern, Sandman, The Justice League, The Atom Legion of Superheroes and Teen Titans.... Just about all of their top titles.
The way I'm doing it is I'm trying to think to myself, "Okay, I have the name Superman, and he's going to be a guy that deserves the name 'Superman.' I'm trying to forget about Krypton, about The Daily Planet what would I do if I was thinking it up?" I can do it any way at all..I can make him an Eskimo midget who's toothless and blind... I can do anything. It's difficult .
I don't expect every movie to be done exactly the way I would have done it.
I want to get that same feeling that everybody logging on to our website is sharing a little bit of an inside joke, and the rest of the world is oblivious to it although I want to have most of the world.
I think it's just the challenge. It's not that all my life I've wanted to do characters [in Marvel] , because I never particularly thought about it, but the challenge of saying, "How could they be done differently that may be more absorbing or more effective?"
I couldn't say no when I received that offer [to re-invent the DC characters]... How can any writer say no to the opportunity of redoing every one of DC's top superheroes?
I always sympathized with the people who did work for hire; I was one of them.
I have to force myself to get angry. But I want to show the world that there's another side to me, that I am capable of deep, deep anger and fury. They better watch out for how I'm treated.