It's ridiculous that we continue to incarcerate anyone for using a substance that actually causes far less damage than alcohol. No one goes out looking for fights on marijuana. No one dies from marijuana intoxication. And no one should be jailed for possessing marijuana.
Now, as I move through my fifties, I can be professional and domestic, creative and intellectual, patient and urgent. I have learned that we should never settle for someone else's definition of who we can be. Growing to this age, I realize, is kind of like feeling your voice deepen. It's still your voice, but it has more substance, and it sounds like it knows its own origins.
It's still not easy to find roles that offer more complex images of women.
Certainly, if more people were smoking instead of drinking, people don’t get mean on weed, don’t beat up their wives on weed, and don’t drive crazy on weed. They just get hungry, don’t go out of the house, or laugh a lot. I think it would make for a much more gentle world.
To know that once you decide to look at life outside of the narrow limits of just your world and start to understand that you can make a difference in very simple ways - in volunteering and all the way up to bigger world problems.
Every time you enter into a job it's a whole new universe. There's a new language with a new power structure. If you are in an all Black cast its a different dynamic, the same with an all male cast or a crew that is mainly women.
I think it's very hard to be naked in a scene and not be upstaged by your nipples.
At a time when everything seems so out of control and the people you've elected are bogus and there's so much random violence and hatred, it fills you with such hope and admiration to even be part for a short time in a community where people have connected to strangers to try to put out a hand.
I've tried them all, I really have, and the only church that truly feeds the soul, day in, day out, is the Church of Baseball.
It never really worked for me to have long arguments about motivation.
The only thing I can talk about is just forgiving yourself, because I do not have everything together. And so I tell people: No, you should see my house, it's a mess.
I did study drama at Catholic U, but the undergraduates weren't put in productions, really, except as extras, and it wasn't a hands-on kind of thing at all. I couldn't afford to go to another college. And my grandparents lived in D.C., so I was able to live with them, and that's how I was able to afford it at all.
There have been a few little films I'd done like that that the studio just decided not to do much with, films like Anywhere but Here [1999] or Jeff, Who Lives at Home [2012]. Thank God people find them later and love them. I'm always really drawn to people who have seen these strange little films.
It's really hard to find stuff that is original. You pick up scripts and in four pages you know where it's going and the same thing when you are sitting in a theatre, I just rejoice when something unfolds in a way that I'm not conducive.
Like most parents in the US, they are trying, with a little help from UNICEF, to do the best they can to help their children reach their full potential.
Being a Catholic, I was drawn to the mystery of the Latin and the smoke and the mirrors and all of that. That part of my disposition definitely did lend itself to finding my way to the back door of some artistic pursuit.
So I would hope they would develop some kind of habit that involves understanding that their life is so full they can afford to give in all kinds of ways to other people. I consider that to be baseline spirituality.
I'm a native New Yorker. Everything to do with New York feels like my family.
9/11 just seemed to come out of the blue. And there were people asking questions, but then there were no answers. At some point, it just turned into, "We've got to do what we've got to do." And I think those are the moments when you grow, when you get the opportunity to try to figure out, exactly as you said, what price are you paying, and if it's worth that price.
Kurt Vonnegut wasn't a chatty guy, but when he spoke, it was always clear and very funny, in the way that he wrote, in a very specific kind of combination of word groupings and expressions that lived somewhere else.
I am optimistic. I think that there are a lot of women producing things, not necessarily in the studios. Actresses are putting stuff together. I think there are more stories about women of color [and] older women. But it is slim pickings.
We were friends with Jonathan Demme. We were all down on the West Side of New York, and I think I met Kurt Vonnegut through Edith Demme. And then I was lucky to do Who Am I This Time? 1982, which was an adaptation of his short story that Jonathan Demme directed with Chris Walken and I, and that really cemented the friendship.
I feel my family's needs are a priority. I'm not comfortable with the idea of serving the many and ignoring my family.
There wasn't space to mood-up. I think Rose Byrne was just extraordinary. Talk about a character that could be really unsympathetic at times. She just jumped in these scenes that go from anger to hysteria to crying to laughing and back to anger. I just marveled.
Before our kids start coming home from Iraq in body bags and women and children start dying in Baghdad, I need to know, what did Iraq do to us?
