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Theodor Adorno Quotes - Page 3

Technology is making gestures precise and brutal, and with them men.

Theodor W. Adorno, E. F. N. Jephcott (2005). “Minima Moralia: Reflections on a Damaged Life”, p.40, Verso

Happiness is obsolete: uneconomic.

Theodor W. Adorno, E. F. N. Jephcott (2005). “Minima Moralia: Reflections on a Damaged Life”, p.217, Verso

But he who dies in despair has lived his whole life in vain.

Theodor W. Adorno, E. F. N. Jephcott (2005). “Minima Moralia: Reflections on a Damaged Life”, p.167, Verso

Tenderness between people is nothing other than awareness of the possibility of relations without purpose.

Theodor W. Adorno, E. F. N. Jephcott (2005). “Minima Moralia: Reflections on a Damaged Life”, p.41, Verso

For a man who no longer has a homeland, writing becomes a place to live.

Theodor Adorno, Richard Leppert, Susan H. Gillespie (2002). “Essays on Music”, p.61, Univ of California Press

Estrangement shows itself precisely in the elimination of distance between people.

Theodor W. Adorno, E. F. N. Jephcott (2005). “Minima Moralia: Reflections on a Damaged Life”, p.41, Verso

He who matures early lives in anticipation.

Theodor W. Adorno, E. F. N. Jephcott (2005). “Minima Moralia: Reflections on a Damaged Life”, p.161, Verso

In Anglo-Saxon countries the prostitutes look as if they purveyed, along with sin, the attendant pains of hell.

Theodor W. Adorno, E. F. N. Jephcott (2005). “Minima Moralia: Reflections on a Damaged Life”, p.49, Verso

Very evil people cannot really be imagined dying.

Theodor W. Adorno, E. F. N. Jephcott (2005). “Minima Moralia: Reflections on a Damaged Life”, p.190, Verso

Dissonance is the truth about harmony.

Theodor W. Adorno (2013). “Aesthetic Theory”, p.151, A&C Black

Insane sects grow with the same rhythm as big organizations. It is the rhythm of total destruction.

Theodor W. Adorno, Rolf Tiedemann (2003). “Can One Live After Auschwitz?: A Philosophical Reader”, p.71, Stanford University Press

The bourgeois ... is tolerant. His love for people as they are stems from his hatred of what they might be.

"Minima Moralia: Reflections from Damaged Life". Book by Theodor Adorno, 1951.

Talent is perhaps nothing other than successfully sublimated rage.

Theodor W. Adorno, E. F. N. Jephcott (2005). “Minima Moralia: Reflections on a Damaged Life”, p.109, Verso

The almost insoluble task is to let neither the power of others, nor our own powerlessness, stupefy us.

Theodor W. Adorno, Rolf Tiedemann (2003). “Can One Live After Auschwitz?: A Philosophical Reader”, p.47, Stanford University Press

Writing poetry after Auschwitz is barbaric.

Theodor W. Adorno, Rolf Tiedemann (2003). “Can One Live After Auschwitz?: A Philosophical Reader”, p.15, Stanford University Press

All the world's not a stage.

"Minima Moralia: Reflections from Damaged Life". Book by Theodor W. Adorno, 1951.