I think that, for me, Superman just seemed to make a lot of sense to me. After doing 'Watchmen,' it was - you know that thing, you've got to know the rules before you can break them? There was something about that in making 'Watchmen.'
I'm interested in animation. I actually feel like I've learned so much about the process how to make an animated movie.
Our plans for 'Superman?' I can't say. This is the most super secret thing ever. It's like working for the government, like I'm on a covert mission.
The thing about owls is that they do sort of have this facial disc, which is unlike any other bird. They kind of have a face, more than like a dog or a giraffe. They have this weird, alien face that you can actually make expressive.
I always say, I'm certain I changed 'Watchmen' less than the Coen brothers changed 'No Country for Old Men.' I'm certain of it. But you don't hear the Cormac McCarthy fans, like, up in arms about it. They should be. It's like an amazing Pulitzer Prize-winning book.
One of the things I think is important about 'Watchmen' is that it have resonance within cinematic pop culture as well as superhero culture.
