Sites like Funny or Die and College Humor are great, but I'd say it's appealing to 80% men and 20% women.
The moment you sense someone is making something because they think people are gonna buy it or like it, it's just so phony! The public has a nose for phony like nobody else.
People sometimes say, 'Oh, you were a movie star,' and I'm like, 'No, I was a supporting actress.' I wasn't an A-list actress, and I'm fine with that. I'm proud of what I did in film.
I'm always trying to do stuff I haven't done before or challenge myself so I'm not resting on my laurels all of the time because if I just found my little niche and never left it, I'd be pretty boring, I think.
I listened to a lot of Joni Mitchell in high school. She was sort of an inspiration to me. I think she's a great lyricist, and she makes interesting choices.
I grew up believing my sister was from the planet Neptune and had been sent down to Earth to kill me. I believed this because my sister Emily convinced me of it when I was a toddler. I think she'd seen Invasion of the Body Snatchers and her imagination ran away with her. There's a part of me that still believes it.
I feel there are tone singers, and there are more vocal gymnastics singers. And I think that's amazing when people can do that, but I think there's room for the tone singers. And there aren't a lot of them.
I sort of consider myself a comedic actress, not a comedienne. I think it's different. You know, I'm not a stand-up or anything, but playing into comedic situations is sort of where, I think, my strength lies.
I like acting with no lines because all of a sudden you're able to express things without always worrying about the text. It's great to have a great text, but there's a lot of stuff you can't say in words, and I think there's something really nice about good physical moments.
I get embarrassed a lot of times getting attention, but I like being onstage. Do you know what I mean? If I'm in a crowd of people and they're all looking at me, I will feel embarrassed. It's a strange dichotomy.
I don't know why femininity should be associated with weakness. Women should be free to express who they are without thinking, 'I need to act like a man, or I need to tone it down to be successful.' That's a very good way to keep women down.
I tend to like simple music. And clever, succinct lyrics. Songs that don't try to be more than they need to to be effective, to stir up something emotionally within you.
I just feel like growing up in Los Angeles, you learn, 'Well you're never gonna be the prettiest girl in the room, so just don't even try.' I mean, I care about being pretty, but it's not my most valued thing.
I always choose roles that are, you know, hopefully different from the last role. I don't wanna do the same thing over and over again because that's, well, first of all that's no fun.
I've always been really picky about roles and make a point of reminding myself that it's not about the money - because, obviously, there's a lot of money to be made in this business if you're willing to do anything.
My nursery school did a production of 'The Three Little Pigs.' I played the third pig. When the wolf knocked on my door, I refused to get up and answer it because, to me, he was knocking the wrong way. I just lay there, snoring away on stage, fully immersed in my character. My dad turned to my mom and said: 'Dustin Hoffman.'
Not that there is anything wrong with confessional songwriting, there are plenty of people that do that I admire. I think it is great; it just isn't how I do things.
Modern recording has made it so that people can spend forever taking shortcuts and making everything uniform, but that strips music of what makes it exciting.
It's very much a piece of myself when I write a song. I don't mean to say it's very personal, like the lyrics mean something personal to me. When I write a song, that's my taste in music - my taste in chord progressions and melodies.
I wasn't really the most charming person, socially - it took me a long time to develop my people skills - but the one place I was always comfortable was onstage, acting or singing.
If you're eight and you live in Los Angeles and everybody has toys and you go to a country that has a Marxist dictatorship and there are no toy stores and nobody speaks English and it's blazing hot every day and they only have fish, which you don't like, then you tend not to appreciate the cultural lessons you're learning.
I've never pursued a role. I always hear stories about actors going after parts and I'm, like, 'How do they do that?' It seems so weird. It seems like a total myth or something.
Oh my God, there are so many songs I wish I had written. 'Waters of March,' I wish I had written 'My Baby Just Cares for Me,' I wish I had written 'This Will Be Our Year,' I mean, there's millions of them. 'Wouldn't It Be Nice?'
I've had experiences where I wasn't allowed to change words around at all because you have to say everything, exactly as written on the page. That's not fun for me. For me, part of being an actor is being able to contribute to a character's rhythms. If there's room to explore, you find a happy medium.
I'm a very positive person. I get excited easily, and I like to jump around.
