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Whatever is pure is also simple. It does not keep the eye on itself. The observer forgets the window in the landscape it displays. A fine style gives the view of fancy--its figures, its trees, or its palaces,--without a spot.

Robert Aris WILLMOTT (1851). “Pleasures,objects and advantages of literature”, p.39
Whatever is pure is also simple. It does not keep the eye on itself. The observer forgets the window in the landscape it displays. A fine style gives the view of fancy--its figures, its trees, or its palaces,--without a