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On Fantastic Mr. Fox, I got used to working with animated storyboards as a way of planning for the shoot. We did a lot of sequences that way with this movie. Partly as a result of that, I decided to build more sets in order to do certain shots.

"Cannes 2012: Wes Anderson on Making 'Moonrise Kingdom' and His Cannes Debut". Interview with Gregg Kilday, www.hollywoodreporter.com. May 15, 2012.
On Fantastic Mr. Fox, I got used to working with animated storyboards as a way of planning for the shoot. We did a lot of sequences that way with this movie. Partly as a result of that, I decided to build more sets in