French rhetorical models are too narrow for the English tradition. Most pernicious of French imports is the notion that there is no person behind a text. Is there anything more affected, aggressive, and relentlessly concrete than a Parisan intellectual behind his/her turgid text? The Parisian is a provincial when he pretends to speak for the universe.
Camille Paglia (1990). “Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson”, Vintage
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