Black And White Quotes - Page 13

Maybe black and white is the best medium for landscapes, I don't know.

The other two things are... well, I had a huge appetite for old black and white movies on BBC 2. At the weekends they used to run matinees, and the more romantic the better.

Colonization was the idea that once slavery ended African-Americans should be encouraged - or required, in some people's view - required to leave the country. It's part of an attitude toward the abolition of slavery which says America should not be a slave society, but it can never be a multiracial society. You can never have free black and white people living together.

Adulthood isn't black and white - it's a thousand shades of grey. Or taupe. It's not who you are, it's where you are.

I'm always astounded at the way we automatically look at what divides and separates us. We never look at what people have in common. If you see it, black and white people, both sides look to see the differences, they don't look at what they have together. Men and women, and old and young, and so on. And this is a disease of the mind, the way I see it. Because in actual fact, men and women have much more in common than they are separated.

I very much related to the idea of sexual identity and how it doesn't have to be black and white. When I first came out, there would be butch people in baseball caps, and that wasn't me, and then there were girls in heels and dresses, and that didn't feel like that was me either. But after a while I learned there's a lot of ground in between.

Celluloid will be the next decade's black and white.

Parodies of commercials are by no means new and have been popular going back to black-and-white TV shows of the '50s.

When it comes to our precious poor children of all colors, maybe disproportionally in percentage black and white and red, but all colors, yellow as well as white, we need to push toward integrated schools.

I like making black and white films in natural surroundings, but I much prefer shooting a color film inside a studio where the colors are easier to control.

The moth settled onto the curtain and sat still. It was an astonishing creature, with black and white wings patterned in geometric shapes, scarlet underwings, and a fat white body with black spots running down it like a snowman's coal buttons. No human eye had looked at this moth before; no one would see its friends. So much detail goes unnoticed in the world.

I learned to slip back and forth between my black and white worlds. One of those tricks I had learned: People were satisfied so long as you were courteous and smiled and made no sudden moves. They were more than satisfied; they were relieved -- such a pleasant surprise to find a well-mannered young black man who didn't seem angry all the time.

Nothing is black and white, and there is no purity and there is no such thing has justice.

I think the most overused words in our vocabulary in the South are black and white.

The most beautiful colors laid on at random, give less pleasure than a black-and-white drawing.

...one sees differently with color photography than black-and-white... in short, visualization must be modified by the specific nature of the equipment and materials being used.

Black and white photography is truly quite a 'departure from reality', and the transition from one aspect of visual magic to another was not as complete as many imagine.

When I photographed Marilyn Monroe, I mixed up my cameras - one had black-and-white film, the other color. I took many pictures. Only two color ones came out all right. My favorite picture of Marilyn hangs always on the wall in my office. It was taken on the little patio of her Hollywood house.

Every once in a while I have this revelation like, "Wow, a hundred years ago the world wasn't black and white." It was in color. Photographed in a certain way, people look from another time. We are just not used to seeing ourselves in that context. Something that's fascinating about photography is you can isolate a moment, tear it out of its context, and see it afresh. Another realization is that, "Wow, there's a big world out there, and people are still doing all sorts of the things that they used to do." We don't just live in iPad land.

It is not productive to see things in simple black and white, and talk in either anti-nuclear or pro-nuclear terms.

I barely read. I'm not a good reader at all. Rather than reading, I used to sit in front of the TV and watch black-and-white cowboy movies. I'm a painfully slow reader. It's really bad as an actor, because you have to read a lot of scripts. It takes me like an average of three hours to read a script, which is pretty poor.

Motion pictures are just beginning to live up to their true potential of being immersive experience - going from beyond black and white flickering images to fully immersive 3D color high-definition. You don't even know where the real world starts and the fake world begins. And yet, none of that's going to matter unless the story and the emotions that they allow us to become invested in are something that we can recognize. Pixar is able to do this in ways that almost defies speculation.

I write to make peace with the things I cannot control. I write to create fabric in the world that often appears black and white. I write to meet my ghosts. I write to begin a dialogue. I write to imagine things differently and in imagining things differently perhaps the world will change.

Black and white are absolute...expressing the most delicate vibration, the most profound tranquility, and unlimited profundity.

I think Confederate Battle Flag is a symbol that causes a great deal of division and reminds us of a really hurtful legacy and past... I think there are some Southerners, black and white, who feel as though the rest of the country looks down on the South as uneducated and backward. And for some people, that was a symbol of defiance against that.