Black And White Quotes - Page 16

Welcome to the real world, she said to me. Condescendingly. Take a seat. Take your life. Plot it out in black and white.

Black-and-white gives you that sort of parallel world. Also, it's very close to the condition of dreaming, to the unconscious.

Looking at a black and white photograph, you are already looking at a strange world.

Maybe those sorts of yes-or-no life-and-death decisions are easier to make because they are so black and white. I can cope with them because it's easier. Human emotions, well. . .they're just a fathomless collection of grays and I don't do so well on the midtones.

I've always been a tomboy. I've always liked to wear red, black, and white, and mostly pants.

I began dividing life in absolutes... Things and people were either perfectly bad, or perfectly good, and when life didn't obey this black-and-white rule, when things or people were complex or contradictory, I pretended otherwise. I turned every defeat into a disaster, every success into an epic triumph, and separated all people into heroes or villains. Unable to bear ambiguity, I built a barricade of delusions against it.

where I have seen good I shall speak of it with pleasure, and where I have seen the reverse, I shall try to be silent; for a book is meant to give pleasure, and pain that is inflicted in black and white lasts for ever.

I don't know why we work, my husband and I. We just do. We are black and white - yin and yang.

I don't think anyone is black and white and I think we change our minds and our attitudes about certain things as we grow to our maturity.

I read that prior to the advent of color TV, most people dreamed in black and white.

Whatever you now find weird, ugly, uncomfortable and nasty about a new medium will surely become its signature... The excitement of grainy film, of bleached-out black and white, is the excitement of witnessing events too momentous for the medium assigned to record them.

I met Michael Snow and Stan Brakhage the second day after I arrived, you know. I had never seen or heard of Brakhage. For me, it was a revolution, because I was well educated in film, but American-style experimental film was known to me in the abstract, and I had seen practically nothing. I had seen a film then that Noël Burch had found and was distributing called Echoes of Silence. It was a beautiful film, three hours long. It goes forever and it was in black and white, very grainy, and I saw that film and I thought...it was not New Wave. It was really a new concept of cinema.

The Israeli-Palestinian conflict is a tragedy; it is a clash between right and right. And, therefore it's not black and white. Sometimes, recently it is indeed a clash between wrong and wrong. It is not as simple as fascism was.

Brent Berlin and Paul Kay in Basic Color Terms demonstrate exhaustively and empirically, the very simple thesis that anywhere in the world, as a language develops and acquires names for color, the colors always enter in the same order. The most primitive are black and white. Then red. Then either green or yellow.

I don't think it's a black and white issue. If a man's family is starving so to speak, I don't think I'll hold it against him for stealing a loaf of bread.

Sidney Poitier became a star in part by helping black and white Americans negotiate their new relationship in the post-Civil Rights era.

Color can do anything that black-and-white can.

In fact, I probably learned more about photography from studying black-and-white photography in those magazines [Look Magazine and LIFE Magazine] than I did from watching movies here. That's the truth.

I believe I live in a black and white. I think things are like either black or white. I don't really believe that much in the gray. I think that there's gray for a lot of people, but I don't live in the gray. I realize whatever action I have or take, it's going to have a consequence -- either good or bad. So I live my life in a way where I don't have bad consequences. I just notice there's a lot people around me just live in the gray. I don't know, for me, I'm just really straightforward.

Creating a world that reflects the inner voyage of our characters was really important. Also, because this isn't a black and white show, and this isn't about bad guys and good guys, but it's about good men being capable of bad things and vice versa, I wanted to be in a city that had contradiction.

I started to work in television for three or four years, in 1954. There was one channel of television, black and white. But it could be entertaining and educational. During the evening they showed important plays, opera or Shakespeare's tragedies.

Our world was Northern, black and white, so it was a great thing for my sisters and me to sit down at Christmastime and watch these fabulous MGM musicals. All that color, all those beautiful costumes.

We want to live in the black and white, but we don't. The world is gray. And, I'm always fascinated by people who are clearly, 'This is black and this is white, and that's the way life is.' Life always has something to say about that.

What we're doing with Band of Brothers is trying to put it into human terms, so it is not just a flickering, black and white myth on a screen, it is a resonant story. I want the audience to recognize themselves in these men. They're not just mythic heroes.

Both HUD and the Department of Justice began bringing lawsuits against mortgage bankers when a higher percentage of minority applicants than white applicants were turned down for mortgage loans. A substantial majority of both black and white mortgage loan applicants had their loans approved but a statistical difference was enough to get a bank sued.