Character Quotes - Page 140

Otherness is a big thing for me. I'm always drawn to characters that live lives that I couldn't lead.

Places have their own characters. . . . But the people begin to look the same.

Good acting is about reacting, not tryingto express something, but reacting to a situation as the character.I don't like acting acting.

In Hollywood films everything is tidied up at the end with clean lines and clean character definitions. It's sort of unsatisfying.

After appearing for eight seasons as a beloved character on 'Supernatural,' it's not surprising that I get most of my recognition on the street from that, and it happens with some frequency. But I'm not a guy who gets recognized often.

Wanting to be liked means being a supporting character in your own life, using the cues of the actors around you to determine your next line rather than your own script. It means that your self-worth will always be tied to what someone else thinks about you, forever out of your control.

I filmed 'Albatross' before I got 'Downton.' It's a coming-of-age movie about this girl who leaps into this family's life, like a whirlwind. She's ballsy and brash and wonderful, it was such an amazing character to play.

Sanctification is the work of the Holy Spirit in us whereby our inner being is progressively changed, freeing us more and more from sinful traits and developing within us over time the virtues of Christlike character.

As we search the Scriptures, we must allow them to search us, to sit in judgment upon our character and conduct.

We at the Christian Writers Guild couldn't be more proud of Brandy Vallance. Let her debut novel transport you to an entirely fresh time and place where you'll soon forget you're turning pages and find yourself riveted to the destinies of characters who'll leave a lasting impression on your heart.

Progress has never been a bargain. You have to pay for it. Sometimes I think there's a man who sits behind a counter and says, "All right, you can have a telephone but you lose privacy and the charm of distance. Madam, you may vote but at a price. You lose the right to retreat behind the powder puff or your petticoat. Mister, you may conquer the air but the birds will lose their wonder and the clouds will smell of gasoline."

I never play characters that are like me because I'm a boring person. I wouldn't want to see me in a movie.

The dream of a writer is to be surprised by his characters. All of a sudden, they are living their own lives; they are not prisoners anymore. . . . Tati taught me how to observe, how to sit in a cafe in Paris and to look at the passersby and to guess what their story is, even a little moment of their story.

First, you do a piece of material that begins and ends and has a flow; it's not chopped up as in a film, where in an extreme case you might be doing the last scene of the script the first day that you go to work, and you don't know enough about the character you're playing.

It's motive alone which gives character to the actions of men.

I was always a clown. In the eighth grade I won a city speech contest by doing an Eddie Murphy routine. I'm no good at public speaking, but if I can assume a role and speak as that person, then I'm fine. When I had to give a book report, I always did it in character.

As a director, you have a thousand things going on in your head, and of course, that's going to be difficult. That's going to mean that some things get overlooked. And so, for us as performers, being the selfish pricks that we are, we're sitting there being concerned about ourselves all the time and our character's through-line.

The great thing about literature is that you're making up your own interpretation of the character anyway. Also, you're given basically a bible of who a character is and you're kind of shooting yourself in the foot if you're not reading it.

For me and my films I want my audience to experience cinema in its full glory. It's not just visual, it's audio as well. It's emotional and I want you to be engaged with not just the scene but with the characters.

When people were conscious of a God whose character was moral law, when their consciences were informed by a sense of rightness, their watchmen would shout halt when they trespassed the law. Now their watchmen are silent. They serve no king and protect no kingdom.

Good luck is the willing handmaid of upright, energetic character, and conscientious observance of duty.

Basically, every character I've ever played, I've based entirely on internal conflict. And I love doing that, because I think it's very human.

In hard-core science fiction in which characters are responding to a change in environment, caused by nature or the universe or technology, what readers want to see is how people cope, and so the character are present to cope, or fail to cope.

Acting is an art form and you want to take roles that are challenged and it's more of a challenge I think to play dark characters. Not that I want to always play those, but it is a challenge and challenges are rewarding and fun.

Whenever you're in any acting role you are mortgaging your own character.