Character Quotes - Page 163

In terms of the characters, I definitely do look for somebody that I think people can learn from and I can learn from too. In one way or another, by the fact that they are a role or by that fact that they aren't a role model. I feel like I was attracted to the past few characters that I've played, because they have an element that really touched my heart.

The higher mental development of woman, the less possible it is for her to meet a congenial male who will see in her, not only sex, but also the human being, the friend, the comrade and strong individuality, who cannot and ought not lose a single trait of her character.

I try to write about real women, real people - in other words flawed characters. I find flawed characters much more interesting than perfect ones and enjoy the challenge of making readers root for them in spite of their unsympathetic path and destructive choices. Life is about the gray areas. Things are seldom black and white, even when we wish they were and think they should be, and I like exploring this nuanced terrain.

Good taste is the modesty of the mind; that is why it cannot be either imitated or acquired.

Anatomize the character of a successful hostess and the knife will lay bare the fact that she owes her position to one of three things: either she is liked, or she is feared, or she is important.

I've quit writing screenplay [adaptations]. It's too much work. I don't look at writing a novel as work, because I only have to please myself. I have a good time sitting here by myself, thinking up situations and characters, getting them to talk - it's so satisfying. But screenwriting's different. You might think you're writing for yourself, but there are too many other people to please.

Understanding child development takes the emphasis away from the child's character--looking at the child as good or bad. The emphasis is put on behavior as communication. Discipline is thus seen as problem-solving. The child is helped to learn a more acceptable manner of communication.

We’re miserable because we think that we are mere individuals, alone with our fears and flaws and resentments and mortality. We wrongly believe that our limited little egos constitute our whole entire nature. We have failed to recognize our deeper divine character.

Whether on the floor of Congress or in the boardrooms of corporate America or in the corridors of a big city hospital, there is no body of professional expertise and no anthology of case studies which can supplant the force of character which provides both a sense of direction and a means of fulfillment. It asks, not what you want to be, but who you want to be.

As a novelist, I cannot occupy myself with "characters," or at any rate central ones, who lack panache, in one or another sense, who would be incapable of a major action or a major passion, or who have not a touch of the ambiguity, the ultimate unaccountability, the enlarging mistiness of persons "in history." History, as more austerely I now know it, is not romantic. But I am.

To sit through a film where you're just unmotivated to be interested in a character is probably the worst thing that could ever happen.

There's nothing like getting yourself into character and seeing a different person. It really wears on your vanity.

Meditation may require a lifetime to master, but it will have been a lifetime well spent. ... If you want to judge your progress, ask yourself these questions: Am I more loving? Is my judgment sounder? Do I have more energy? Can my mind remain calm under provocation? Am I free from the conditioning of anger, fear, and greed? Spiritual awareness reveals itself as eloquently in character development and selfless action as in mystical states.

The great characteristic of men of active genius is a sublime self-confidence, springing not from self-conceit, but from an intense identification of the man with his object, which lifts him altogether above the fear of danger and death, which gives to his enterprise a character of insanity to the common eye, and which communicates an almost superhuman audacity to his will.

A lot of people ask, "What do you pull on in your own life from your character?" In all honesty, it's not something that really works that way for me. I tend to look at these things as an imaginative process and a challenge of imagination and empathy, to some degree. I get much more out of meeting people who have lived these lives than I do digging around in my own limited experiences.

Praying that does not result in right thinking and right living is a farce. We have missed the whole office of prayer if it fails to purge our character and correct conduct. We have failed entirely to understand the virtue of prayer, if it does not bring about the revolutionizing of life. In the very nature of tings, we must either quit praying or quit our bad conduct.

Basically, I think that there are some characters that you can just allow the truth of your character as a human being in your real life to come through

Both Moscow and [Kiev], the modern and the ancient capitals, were reduced to ashes [by the Tartars]; a temporary ruin, less fatal than the deep, and perhaps indelible, mark, which a servitude of two hundred years has imprinted on the character of the Russians.

I know sage, wormwood, and hyssop, but I can't smell character unless it stinks.

Nothing, indeed, but the possession of some power can with any certainty discover what at the bottom is the true character of any man.

And I have yet to find one single individual who has attained conspicuous success in bringing down enemy aeroplanes who can be said to be spoiled either by his successes or by the generous congratulations of his comrades. If he were capable of being spoiled he would not have had the character to have won continuous victories, for the smallest amount of vanity is fatal in aeroplane fighting. Self-distrust rather is the quality to which many a pilot owes his protracted existence.

On so many levels, acting in film and TV is so much the sum of its parts, and somewhere in there, there's an alchemical thing that makes something happen or not - that makes something connect or not. Now, of course you want to make work that people see, but the enjoyment I get out of acting is playing characters.

That mental grind is the same, and this show has to be approached with the same mentality. Rest is paramount. Taking care of my voice and making sure I have the right foods in my body is paramount. Making sure I'm doing my technique work and staying in the script is all substantial. Continually pushing myself to find different nuances in the character on a nightly basis. This is definitely boot camp for me all over again, and Broadway in general is a boot camp for all actors.

There is really no fiction or non-fiction; there is only narrative. One mode of perception has no greater claim on the truth than the other; that the distance has perhaps to do with distance - narrative distance - from the characters; it has to do with the kind of voice that is talking, but it certainly hasn't to do with the common distribution between fact and imagination.

We started shooting, and then Jodie found out she was pregnant. Forest broke it to me - he'd gone to work and heard it on the radio! It seemed like the movie was doomed. But, like these characters, there was a disregard for all the signs along the way.