Character Quotes - Page 343

I like doing character movies. I like doing movies about personal situations; that's what I love about dealing with things.

I don't like having characters as props. I never want a character to be a prop.

I'd like to do voiceovers my whole life. I get to kind of create a character and go in and play.

Getting to meet people that I've admired my entire life, and getting to meet them in such a way where they're coming in to play completely different characters than I had ever seen them do is just wonderful.

When you're doing an out-and-out comedy, the notion of preparing for a character - I hope I don't reveal too much of myself here - but, uh, no, I'm not doing anything.

Yeah, you know, within the context of TV families, these are pretty unsavory characters.

All jokes aside, it's a very difficult job playing the straight man. Jason is potentially the most brilliant straight man that ever was because he's also really funny while doing it, which is even harder. I've always seen myself playing characters who are flawed. We use comedy in our lives to obscure the drama.

If it were not somewhat fanciful to suppose that every human excellence is presented, as it were, in one kind of being, we might believe that the whole treasure of morality and order is enshrined in the female character.

It is an absolutely vain endeavor to attempt to reconstruct or even comprehend the nature of a human being by simply knowing the forces which have acted upon him. However deeply we should like to penetrate, however close we seem to be drawing to truth, one unknown quantity eludes us: man's primordial energy, his original self, that personality which was given him with the gift of life itself. On it rests man's true freedom; it alone determines his real character.

The town is as full as ever of 'characters,' all created by each other.

Unlike most wars, which make rotten fiction in themselves - all plot and no characters, or made-up characters - Vietnam seems to be the perfect mix: the characters make the war, and the war unmakes the characters. The gods, fates, furies had a relatively small hand in it. The mess was man-made, a synthetic, by think tank out of briefing session.

Response is what we have trained ourselves to be; it is a reflection of our manhood, character, ideals. We cannot always control our surface reactions, but we can sit at the helm of our lives and control our responses to the blows of life.

Authors can only soft sell the environment. Create a wonderful story around the environment involving the characters that leaves a lasting impression on the reader's mind.

The interesting thing about fiction from a writer's standpoint is that the characters come to life within you. And yet who are they and where are they? They seem to have as much or more vitality and complexity as the people around you.

The truth is, everything ultimately comes down to the relationship between the reader and the writer and the characters. Does or does not a character address moral being in a universal and important way? If it does, then it's literature.

The creation of a film starts with an idea, a notion of a time period or characters, and you get really excited about the idea, and sell it to others if you need their support to write the script. You can't wait to get started, and then you try to start, and you struggle with the blank page, and you get some ideas, and they're bad ideas, and you write bad stuff. It's really bad.

For me, there's a bad year of getting started on something. You write bad stuff and it's awkward to throw it out, and you wait around to get some good ideas that maybe do come or don't come. Until eventually you get the voice and autonomy of the characters, the characters have personality, and they sort of pick up the weight and put it on their shoulders. That's when it becomes a little more fun.

All too much of the wage structure has been based on the time workers put in, rather than upon the product put out. The consumer dollar has no interest in how much time it buys-only in the character and quality of the product itself.

Those who judge children in their innocence, prove themselves the lesser of character and the greater of ignorance.

All I want to do is write songs about funny characters I made up.

Do you know how writers often say the characters take over... But that is more or less what it always feels like to me, too. Even though that's just a way of describing how your brain is working, it's still what you tend to feel.

I always felt completely confident - it's like in a feature film, knowing your principle character is extremely well-cast. I had that same confidence in Clive [Oppenheimer].

Your film is like your children. You might want a child with certain qualities, but you are never going to get the exact specification right. The film has a privilege to live its own life and develop its own character. To suppress this is dangerous. It is an approach that works the other way too: sometimes the footage has amazing qualities that you did not expect.

I think I was born with a sense of instantaneous connection between the things I perceived in the world and my feelings about those things my character has served me well it has made me. well, an eighteenth -century man of letters, though one who happens to be female and lives in twentieth-century Berkeley.

I don't know how many times I can sit there and talk about my character or my life. It's interesting to talk about experiences in the context of something you're doing for somebody else, and particularly if you can persuade others to join you in your support.