Character Quotes - Page 377

The crown and glory of life is character. It is the noblest possession of a man, constituting a rank in itself, and an estate in the general good-will; dignifying every station, and exalting every position in society. It exercises a greater power than wealth, and secures all the honor without the jealousies of fame. It carries with it an influence which always tell; for it is the result of proved honor, rectitude, and consistency-qualities which, perhaps more than any other, command the general confidence and respect of mankind.

What I remember from [the first meeting with Samuel L. Jackson] was that he was a friendly, animated kind of guy. His screen image is a hard boiled intimidating kind of character. That's what I remembered thinking, 'Boy, this guy seems like a normal guy.'

We both [me and Eugene Levy] come from the same place. Eugene did most of his work in SCTV and ensemble situations. I'd done all this theater work before I got into movies and ensemble situations. We both learned how to develop characters and interact with other people in a unique and economic sort of way.

Hair is very, very distinctive. I started that with that boxing movie I did, The Great White Hype. The director wanted me to look like Don King, and everybody knew who Don King was. But I didn't want to be Don King. I wanted the man to be Rev. Fred Sultan, so I decided to make him look like Julius Caesar. And from that point on, I just decided, I had this great wig-maker, so I just found hairstyles that I felt would be distinctive for every character. Like an adventure.

Quentin Tarantino was talking about Ordell a little bit, and I was like, "I'm sure Ordell is one of those people who thought Superfly was the greatest movie ever made." So he cuts his hair and straightens it, but he never has enough money to maintain it perfectly. So it's kind of nappy around the edges, straight and kind of puffed up. That's why he'd always keep it in a ponytail or a braid. We were just having fun and creating a distinctive character.

But Medicine is a demonstrative Science, and all its processes should be proved by established principles, and be based on positive inductions. That the proceedings of Medicine are not of this character, in to be attributed to the manner of its cultivation, and not to the nature of the Science itself.

That eminence of learning is not to be gained without labour, at least equal to that which any other kind of greatness can require, will be allowed by those who wish to elevate the character of a scholar; since they cannot but know that every human acquisition is valuable in proportion to the difficulty of its attainment.

Marriage is the best state for man in general, and every man is a worst man in proportion to the level he is unfit for marriage.

Words become low by the occasions to which they are applied, or the general character of them who use them; and the disgust which they produce arises from the revival of those images with which they are commonly united.

Among the numerous stratagems by which pride endeavors to recommend folly to regard, there is scarcely one that meets with less success than affectation, or a perpetual disguise of the real character by fictitious appearances.

On Sir Joshua Reynolds's observing that the real character of a man was found out by his amusements. Yes, Sir, no man is a hypocrite in his pleasures.

If a man could say nothing against a character but what he can prove, history could not be written.

Scarce any man becomes eminently disagreeable but by a departure from his real character, and an attempt at something for which nature or education has left him unqualified.

The moral and intellectual character of the Africans is widely different in different nations.

The wish to spread those opinions that we hold conducive to our own welfare is so deeply rooted in the English character that few of us can escape its influence.

My characters have nothing. I'm working with impotence, ignorance... that whole zone of being that has always been set aside by artists as something unusable - something by definition incompatible with art.

'Revelation assures us that 'righteousness exalteth a nation.' Communities are dealt with in this world by the wise and just Ruler of the Universe. He rewards or punishes them according to their general character. The diminution of public virtue is usually attended with that of public happiness, and the public liberty will not long survive the total extinction of morals.

I grew up singing professionally since I was 7 years old and so to get to play a character who's living out their Rock star dreams as JEM was pretty much epic.

I hate the analyzing thing. People say, 'Why do you think your character did that? I don't know. I'm not an analyst, and they're not in psychotherapy. Unless it's a film where they're in therapy.

The Killing Fields, my character's teachings frame the movie and the argument of his lectures is the challenge of dealing with the painfulness of life in the absence of faith.

In many of my plays, there was a kind of autobiographical character in the form of a son or young man. The purpose of it, of course, was to write about myself. That character was always the least fully realized. Eighteen years later, you realize, That's what he was about.

I did some martial arts training for 'Confessions of a Dangerous Mind,' since the character was an assassin.

For me the costume is always a huge part of getting into character.

Malick is so far on the other side of the spectrum in terms of his character. Malick is a complete recluse, and not at all driven by ego or championing who he is as an individual. It's all about the art. Whereas Herzog is constantly placing himself into the engine. Malick is such a gentle poet.

I think that in general - well, at least it's true for me - you tend to put something of yourself into the story as a whole. Not necessarily in any character, you understand. But you've got your own way of looking at the world, and that naturally will affect how you craft a story.