Character Quotes - Page 376

I began wanting to create a detective who really turned the tables on that image of women, to know that you could have a sex life and not be a bad person. You could have a sex life and still solve your own problems. It was eight years from when I started having the fantasy that I was going to create such a detective to when I actually sat down and came up with V. I. Warshawski. It was a long, slow journey to come to a writing voice and do that character.

When I go to the Magic Kingdom at Walt Disney World, they have wonderful topiary in the shapes of characters. I apply the principle to my life. "Prune away that which is not a Disney princess!" I think Michelangelo said that.

I sense a kind of fear of writing black or Asian characters from non-ethnic writers, who perhaps feel that they don't know the culture and therefore can't write about it. By and large, if there's an Asian character, I might get a call. But if the character is called 'Philip,' the chances are I won't.

Ive never really played everyday people. Ive played realist roles, but not mere daily life. There was always something incredible happening to my characters

Character is too deep to catch in a single storyline. What really moves us - what makes the great stories, and there aren't so many of them - is the inevitability of character. The destiny. All we see is the arc. We'll never penetrate the secrets of the living, let alone the dead. I've spent my whole life trying to understand people, and all I've learned is that the deeper we look, the greater the mystery. At the core, each person is unknowable. Maybe that's the soul? I have to respect that. The mystery, in fact, is what I've loved the most, in people and in stories as well.

We just assume all the great actors are in New York first and then L.A. second, and it's so not true. There's such amazing talent everywhere. It's exciting that now that there are these sort of new Hollywoods or new filmmaking communities that really benefit from these great faces and character actors and leading actors that just are fresh and exciting and bring an authenticity to the piece.

The costume designer designing clothes that helped the comedy in The Proposal, that sold the character. Each and every detail was so perfectly thought of, what wouldn't be here? That's a lost art.

For each book, there's a back story of where the idea came from. Sometimes it's derived from a current event or topic of discussion. Often it begins with a character. And often, I have NO idea what sparked the idea. It's just there.

I think of my books now as suspense novels, usually with a love story incorporated. They're absolutely a lot harder to write than romances. They take more plotting and real character development.

I think I'm a character actress in a leading lady's body, but the industry doesn't really see me that way.

I really prefer the actual experience of being onstage and living the character from beginning to end with the energy of the audience. There's nothing that beats that feeling, and yet I really have trouble with the eight shows a week.

I come from the theater, and I've done a lot of character work in the theater, but Hollywood stuff in film and TV, they've been more leading lady/ingenue type roles.

Without anyone's help, Darth Maul will only commit himself to his mistakes of the past. Every time we find this character, he is living in the past and in some cases he is living with the dead. This character is desperate and he needs Obi-Wan's help to move on.

Obi-Wan understands that the best thing he can do is contribute something positive to the world around him and then to leave. And if he does that, he will in some ways live forever because the good influence of what he did will be felt. It may sound corny but that's kind of the way I feel about contributing to Star Wars characters. It isn't about me. It's about the story. It's about the mythology of Star Wars and the moral implications of that mythology.

Darth Maul dies and it's okay. And maybe he'll be picked up later and another actor will play him and that's okay. However if they call me up and they need him for this or that and they want me to play him, then that's okay too. I do actually love this character. I feel strongly about him. I feel badly for him and if there's anything more I can contribute to him or the larger Star Wars mythology I will continue to do so and if my time has come then I will watch as a fan the way I have since I was born.

As there is much beast and some devil in man, so is there some angel and some God in him. The beast and the devil may be conquered, but in this life never destroyed.

Fellows of colleges in the universities are in one sense the recipients of alms, because they receive funds which originally were of an eleemosynary character.

To carry feelings of childhood into the powers of adulthood, to combine the child's sense of wonder and novelty with the appearances which every day for years has rendered familiar, this is the character and privilege of genius, and one of the marks which distinguish it from talent.

Hamlet 's character is the prevalence of the abstracting and generalizing habit over the practical. He does not want courage, skill, will, or opportunity; but every incident sets him thinking; and it is curious, and at the same time strictly natural, that Hamlet, who all the play seems reason itself, should he impelled, at last, by mere accident to effect his object. I have a smack of Hamlet myself, if I may say so.

The myriad-minded man, our, and all men's, Shakespeare, has in this piece presented us with a legitimate farce in exactest consonance with the philosophical principles and character of farce, as distinguished from comedy and from entertainments. A proper farce is mainly distinguished from comedy by the licence allowed, and even required, in the fable, in order to produce strange and laughable situations. The story need not be probable, it is enough that it is possible.

How wonderfully beautiful is the delineation of the characters of the three patriarchs in Genesis! To be sure if ever man could, without impropriety, be called, or supposed to be, "the friend of God," Abraham was that man. We are not surprised that Abimelech and Ephron seem to reverence him so profoundly. He was peaceful, because of his conscious relation to God.

The true key to the declension of the Roman empire which is not to be found in all Gibbon 's immense work may be stated in two words: the imperial character overlaying, and finally destroying, the national character. Rome under Trajan was an empire without a nation.

Work is one of the best educators of practical character.

Experience serves to prove that the worth and strength of a state depend far less upon the form of its institutions than upon the character of its men; for the nation is only the aggregate of individual conditions, and civilization itself is but a question of personal, improvement.

Energy of will may be defined to be the very central power of character in a man.