I like repressed characters. That gives me a lot of freedom to make a lot of different choices through subtleties.
One of the great things that you should never do that I learned from John Malkovich is to never judge your characters.
When you play a character with power and energy, people lock into that and go, "Oh, this must be the guy."
With me, growing up in a theater family and having them be so supportive, from the jump, and being a part of this theater community where the brass ring is working, wherever that is, and then to play a character where he's not really concerned with that and is really just concerned with the monetary aspect of the job, and then to be identified with someone who is the antithesis of your energy and where you come from, has been a very interesting and surreal ride.
I never want to sort of put all the cards on the table all at once, because that's somehow there's always a journey to go on. There's always something to be revealed, in my mind, about characters.
I don't like characters that are left being jerks at the end of the movie.
I've always believed that the great strength of the Internet is that it allows us to communicate with each other, it allows debate. And I think that gay marriage is a huge step forward. But debate is throwing ideas about, and when it becomes sort of a weapon of character assassination, I think that's crazy. I think the situation in America is different from in England, where we have civil partnership, and now the vote on gay marriage has been carried, and whether it will go through Parliament I don't know.
I've always thought of characters like advent calendars. You have Christmas and you have all the little doors over the windows and every day you're allowed to open one more as it gets towards Christmas and you see more and more about what's inside that house.I remember as a kid being fascinated by that and I've always thought of my character as a little bit like that. I like to have secrets and slowly let those secrets out to the audience, sometimes never let them out, but let them see as you open the shutters, open and see a little bit more of a character.
Self-promotion has never been a point, and I'm incredibly inept at self-promotion. Talking about myself is a little less inspiring than talking about the character.
Of all sorts of flattery, that which comes from a solemn character and stands before a sermon is the worst-complexioned. Such commendation is a satire upon the author, makes the text look mercenary, and disables the discourse from doing service.
Supernatural hasn't spent a lot of time on relationship stories, and this is a really nice mechanism to do that without imposing that on the forward momentum of these other stories that we're telling. In the writers' room we tend to say, "We're never going to be able to give a hell or Purgatory as good as people's imaginations," so the instinct is normally not to go there. But, we went the other way this year and said, "We are going to go there," because there's a really, really strong character thing going on down there.
For those of us at Marvel Television, it always begins with the story. It's all about the script. It's making sure it's there, on the page. So, we needed to go to a group of individuals who have not only created some of the most memorable animated characters, like Ben 10 and Generator Rex, but also had done two seasons of our very successful Marvel's Ultimate Spider-Man series, and that's the Man of Action guys. But, it wasn't just that.
It's the interaction between those characters that really makes that movie as special as it is, and I'm proud to say, as you probably know, it was the highest grossing film of 2012, it's the highest grossing film that Walt Disney has ever put out, and it's the third highest grossing film ever, in the world.
We want to be able to let the audience get to know these folks. One of the things about The Avengers, over the last 50 years, is the fun of changing up the gang and bringing in new characters.
When we first sat down and talked about how much of the show we were going to do based on the movie, there are certainly things you can see right away, but we wanted to make sure that the audience who maybe never saw the movie or has maybe never seen any of the Marvel characters before - and I know there's three of them left on the planet - could have someone that could be their eyes and take them in.
While I talked about comparisons between Cap and Cable, there's also a parallel with Tony Stark. Iron Man thinks of himself as a 'futurist,' Cable is from the future. Both have been at war with their own bodies. We look for characters with touch points to Cable. Their legacy means an enormous amount to him.
In cinema we have all kinds of ways of communicating: cinematography, lighting, character performance. If you pay attention to silent era movie actors, they are big about postures and really exaggerated expressions so you can understand how they feel. We use all kinds of techniques from cinema to help communicate emotion.
I play a lot of characters where I don't even speak in my own voice. I learned about focus and I learned to trust that things can work when they're not heightened and that it's interesting when things are pared down.
Everything you do is so personal. In the end, it doesn't matter so much if you write about your own life or not. It's going to be as much artifice when it comes out as a piece of music. Everything is in character in a way. But that's a great thing.
You're right, we both have been working on these films [Kung Fu Panda] forever and we know these characters so well that literally we will react to the same note in the same way. We will have the same answer most of the time.
My publisher feels that my readers are loyal to the voice of my stories, the characters I'm creating.
Character is character and voice is voice, which translates nicely from writing novels to writing TV. But the process is different. You have a writer's room, people pitch you jokes and you collaborate.
I was cut out of The Doors. I was Okie Girl, a groupie. The powers that be thought that my character made Jim Morrison look too sleazy, if you can imagine. I saw the movie-it was so loud I had a headache for three days.
If I was like some of the characters I played, I'd probably be dead by now.
I don't even like to show midriff - it's my characters who are always showing midriff.
