Character Quotes - Page 511

My natural inclination to be improv rather than an educated character serves me well.

Money is always on its way somewhere. What you do with it while it is in your keeping and the direction you send it in say much about you. Your treatment of and respect for money, how you make it, and how you spend it, reflect your character.

You rarely get a tentpole that has this much emotional depth, this much character to dive into.

One of my career ambitions was fulfilled working with John [Hurt]. I loved his work long before I ever had the idea of being an actor, so I was nervous to meet him. I was like a fanboy, like that annoying character on 'Saturday Night Live'. I'm sitting there. 'Do you remember when you were in 'Midnight Express'? Remember that scene you were in?' And he doesn't disappoint.

The book tells you everything you need to know. The book is the map of the world that you're in with the character.

Each role you play, they set a bar of challenges that you meet. And in the past, I've played characters that emotionally expressed themselves a bit more in a physical way. It was a joy, actually.

A comedy isn’t about being funny...a comedy is about characters who dare to know that they may choose a happy ending after all.

A comedy isn't about being funny," said Mrs. Baker. "We talked about this before." "A comedy is about character who dare to know that they may choose a happy ending after all. That's how I know." "Suppose you can't see it?" "That's the daring part," said Mrs. Baker.

The one nice thing about doing a character for a long time is, you begin to feel more comfortable, and you are thinking less and behaving more. It's always best not to be thinking a hell of a lot while you're acting, because you want it to be as spontaneous as possible, not too intellectual. Just behaving and listening to other people who you're doing scenes with. I always like the latter when it looks easy, even though it may not be.

The one nice thing about doing a character for a long time is, you begin to feel more comfortable, and you are thinking less and behaving more.

I look at it scene-by-scene. Whether it's a historical character or not, whatever, on the page is one thing and delving into the history or somebody is one thing, but making something work for an audience in front of a camera is another exercise and you bring whatever authenticity you can to it.

I don't do all the background and the worldbuilding before I start the story. What I do is I work out the bare minimum I need to start the story, and often that really is a bare minimum - it's a character in a situation, and I know nothing about the character, I know nothing about the situation, and then I think about it for a long time, and make notes about where I think the story is going to go and so on, but I don't really make notes to do with the background or the magic system or the world.

While the film [Hide and seek] is a work of fiction, I know many people, not just women, who have felt the way my character feels in the film, a certain kind of invisibility. I am grateful that my parents, Bev Umehara and Russell Chang, instilled a healthy sense of self-esteem in me from an early age.

There are lots of big books that have gay characters - or, more commonly, a gay character - in secondary roles, but seldom are their lives, and especially their sexual lives, on center stage.

It would have shown people that I was prepared to do that kind of work, although I find myself in a position now where I don't really need to and I could pick and choose the kind of characters I'd like to do.

The comics I read as a kid were much more influenced by TV and movies. Encountering superheroes as an adult without that kind of childhood sentimentality, it just doesn't allow you, or in my case at least, it wouldn't let me take the characters seriously.

There's immense fun to be had as long as you can sort of sneak it past DC. I have been told on occasion that I need to have more respect for these characters.

I don't really like discussions about a supposed Russian national character.

Chess - it's a nonmainstream game. And the irony is that when you look at Hollywood, it kept using chess as the symbol of intelligence for its heroes, for its top characters, all the time. So it's from "Casablanca" to "Harry Potter." You always have chess as a very important element to demonstrate intelligence, while in normal life people think it's just a weird intelligence - like AI.

Weaknesses of character are normally shown in a game of chess.

It was a pleasure to have somebody else be the boss. It wouldn't have been nearly as much fun any other way. He's been around and made a lot of movies and he's a great straightforward person to work for. And it was a pleasure to see other people to pick up characters that you've sketched out loosely on paper and make them into something fascinating.

Just because we're fictional characters doesn't mean you can pick us up and move us anywhere you want.--the people of Lake Woebegon

It's kind of my whole philosophy as an actor. I think that's what we're supposed to do is play a wide range of characters - or it's just what I like to do, I should say. I like to try to be as different as I can from one thing to the next.

I just like a good story. I want the story to be good and I want the character to be different than the last one I played. That's not always possible, but that's what I want.

The highest point of Christian experience is to press forward. It is a distinguishing trait in the character of every good man that he grows in grace. Grace in the heart as certainly improves and advances, as a tree thrives in a kindly and well watered soil.