Character Quotes - Page 512

The act of the soul, in surrendering itself into the hands of Christ, forms a connecting bond between Him as the Vine and the soul as the branches, which communicates life, strength, nourishment, and beauty. In a word, with a just view of the character, and a supreme attachment to the person of Christ, the believer yields himself into His hands as a full and complete Saviour. Him he receives; upon Him he rests, and rests for time and eternity.

I think in television you have an ever-closer bond to the audience because they're inviting you into your living rooms and their bedrooms 16 hours a year. And they have that relationship with the characters and with the creators. And now, because of social media that's even a more significant connection.

Daughter, we didn't need your note - or a prince's visit - to tell us you'd done nothing wrong. We know the daughter we raised. We fear for your future, but never for your character. You take our love and our trust wherever you wander. Father.

Few novels truly deserve the description 'rollicking' in the way Mary Novik's Conceit does. A hearty, boiling stew of a novel, served up in rich old-fashioned story-telling. Novik lures her readers into the streets of a bawdy seventeenth-century London with a nudge and a wink and keeps them there with her infectious love of detail and character. A raunchy, hugely entertaining read that will leave you at once satiated and hungry for more.

We all have a cross-gender character: Every woman has a man that they can play, and every man has a woman that they can play.

What are you reading?" Owen asks. "Charlotte's Web," Liz says. "It's really sad. One of the main characters just died." "You ought to read the book from end to beginning," Owen jokes. "That way, no one dies, and it's always a happy ending.

I think I'm drawn to more villain-type characters, because it's so cool to get to say all the things you want to say. In Hollywood, you get to this position where you have to bite your tongue so much. You take all your experiences of not being able to say what you really want to say, and channel that through your character.

Sometimes I will read the whole script just to see what my character is doing, but I won't touch a script that I'm not in because it's just so much more exciting as a fan to me to watch the show as it's happening.

When you sign up for a TV show, you don't know if it's going to be for a pilot or for the rest of your life, so I wanted to play a character that I enjoyed thoroughly, and there weren't that many of them out there.

It's funny, people talk about the characters they play and who do you sort of see yourself as or which ones maybe were closest to you and in some ways.

The craft of putting together a performance on film or television is incredibly intricate; you're putting together a story that is completely out of order, that you have to make some sense of, that you have to keep some coherence to the story, to the character.

Finding places to perform was definitely the biggest challenge. Trying to find my voice over the years was a big thing because when I started I was just doing characters and impressions and that was it.

The first time I got on stage I was 10 years old and I did impressions. I did cartoon characters and I really got the bug for this life when I saw that people were laughing and saw the attention I was getting.

By putting myself out there the way I've been doing people see me as a real person. Even though I do character voices and funny noises the stories are still real and I put them all out there.

Not to oversimplify it, somebody once said a good rule of thumb in interpreting a character is to find the good in the bad people that you portray and the bad in the good.

The readers are very similar. The books they know, the questions they ask, the characters they like. That is similar.

There are many readers of the book, who don't know anything about the authors and the artists. There is more than one author. It doesn't matter, if you can't make the reader dive into the story and surround him with that environment and those characters. That's an experience that lasts longer than figuring out who did what. I think that's what makes our working relationship better, it helps us to make a book that feels unique and not like different voices.

Acting is acting, and who you are will still remain to be who you are. You know, that part won't change it. It will change your wallet, you know? It'll change your life. It will open opportunities for you, but it's not going to change your character.

If you're writing on your own, each character is just you. It's just you.

I'm really, really happy with what I do for a living. I mean, that's what I consider work, like being on set, bringing a character to life and, you know, working with other actors and directors and stuff.

I'm from Port Arthur, Texas! Little guy! Little character guy from one of the saddest oil-refinery towns in America. And here I was driving over to Beverly Hills, to 20th Century Fox, to be on 'M*A*S*H!'

Every character is in some respects uniform, and in others inconsistent; and it is only by the study both of the uniformity and inconsistency, and a comparison of them with each other, that the knowledge of man is acquired.

Individual character is in the right that is in strict consistence with itself. Self-contradiction is the only wrong.

I can tell by my own reaction to it that this book is harmful." But let him only wait and perhaps one day he will admit to himself that this same book has done him a great service by bringing out the hidden sickness of his heart and making it visible.— Altered opinions do not alter a man’s character (or do so very little); but they do illuminate individual aspects of the constellation of his personality which with a different constellation of opinions had hitherto remained dark and unrecognizable.

Unresolved dissonances between the characters and dispositions of the parents continue to reverberate in the nature of the child and make up the history of its inner sufferings.