Character Quotes - Page 91

If you feel an aversion to a person--that is, an unexplainable feeling of dislike or distaste for him--it is the most dangerous time for a proper opinion of him, his character, or his actions. Any judgment you pass upon him at such a time is bound to be unfair.

My experiences in life are getting bigger and better. The more stuff I do, the more stuff I talk about - having kids, traveling, going through relationship problems, dealing with things in my own family. All that stuff builds character.

A library is where you meet fascinating characters you never forget.

You never want to play too vampiric or generically evil, so you look for emotions or character traits that you can relate to.

Any disaster you can survive is an improvement in your character, your stature, and your life

Suffering is arguably God's choicest tool in shaping the character of Christ in us.

For me, it's always more difficult and slightly exposing to play something that's close to yourself. I always like to try to hide, just because I can't stand the way I look. But, I think it's important to change every time and come up with something that's as interesting as it can be, for your characters.

Endurance is a much better test of character than any single act of heroism, however noble.

Feydeau's one rule of playwriting: Character A: My life is perfect as long as I don't see Character B. Knock Knock. Enter Character B.

If the threat is jihadism - and it is - and the threat is the destruction of Syria so that all of these refugees are swamping into Europe and changing the whole character and politics of Europe, this is the time to unite to find a way out.

I sometimes wonder if the inability to find oneself makes one seek oneself in other people, in characters.

I am not one of those actors who dwells on the histrionics and the subtext and future text of the character. I deal with the scenes that I'm doing at that specific time, because if I do that, they play in more of a real way.

In essence, sin is all that is in opposition to God. Sin defies God; it violates His character, His law, and His covenant. It fails, as Martin Luther put it, to 'let God be God.' Sin aims to dethrone God and strives to place someone or something else upon His rightful throne.

I like to play unpredictable characters, and I like to be unpredictable in what movie I'll do. I want to skip to work. I don't want to repeat anything. What the future holds, I don't know, but that's what I like. I'll take any risk there is.

Filmmaking is finding a piece of granite and you start to chip away and then you have the shape of a head, the shape of the arm, you can see the shape of the face and the face starts to gather character. You have to find it.

Of all people, children are the ones that really understand when there's a truth there for them - an emotional truth. The characters really have to work. Children, as an audience, are very inspirational for me.

To set a forest on fire, you light a match. To set a character on fire, you put him in conflict.

The crime of ingratitude has not yet stained, and I trust never will stain, our national character. You are considered by them as not only having rendered important service in our own revolution, but as being, on a more extended scale, the friend of human rights, and able advocate of public liberty. To the welfare of Thomas Paine, the Americas are not, nor can they be, indifferent.

Getting the audience to cry for the Terminator at the end of T2, for me that was the whole purpose of making that film. If you can get the audience to feel emotion for a character that in the previous film you despised utterly and were terrified by, then that's a cinematic arc.

The within is ceaselessly becoming the without. From the state of a man's heart doth proceed the conditions of his life; his thoughts blossom into deeds, and his deeds bear the fruitage of character and destiny.

What happens with every role, you have to trick yourself, you have to creatively find ways to explore the mental state of your character.

Greatest thing we can produce is character. Everything else can be taken from us, but not our character.

Man looks in the abyss, there's nothing staring back at him. At that moment, man finds his character. And that is what keeps him out of the abyss.

One never knows enough about characters in real life to put them into novels. One gets started and then, suddenly, one can not remember what toothpaste they use; what are their views on interior decoration, and one is stuck utterly. No, major characters emerge; minor ones may be photographed.

I find that you're drawn to certain stories, and there's something about fairytales that have deep roots. They connect really deeply to you, and those are the stories that I find myself drawn to. I love characters that believe the impossible is possible.