The importance of these [college] years for an American cannot be overestimated. They are civilization's only chance to get to him.
All my closest friends are the ones I made while in college or who knew me growing up. They keep me grounded, and I adore that about them.
Students throughout the totalitarian world risk life and limb for freedom of expression, many American college students are demanding that big brother restrict their freedom of speech on campus. This demand for enhanced censorship is not emanating only from the usual corner - the know-nothing fundamentalist right - it is coming from the radical, and increasingly not-so-radical left as well.
I just can't recruit where there's grass around. You gotta have a concrete lawn before I feel comfortable enough to go in and talk to you parents.
To me, when you got a 20-year-old running back or 21-year-old receiver that's just coming out of college and you're out working these guys, age really don't matter. So it's easy for me to see what it is. People say it's all about age, but to me, it's mind over matter.
People look at me, and they go, 'You're white, you're smart, you must have went to college. You must have grown up with money.'
In adolescence I started to find out about Robert Wilson because I saw Lou Reed's "Timerocker" at [the Brooklyn Academy of Music]. I started getting into Jim Jarmusch and knew that my uncle was a friend of his. I pieced together parts of his life in high school and college, which lead me to his story in a funny way.
I would have been miserable in college. I always hated school.
I'm a little bit of a weirdo - I'm kind of a loner, I didn't go to college, I spend a lot of my time reading. I've been working since I was 17, so that's sort of been my life.
Sites like Funny or Die and College Humor are great, but I'd say it's appealing to 80% men and 20% women.
I was 14, when I wanted to be an actor. My parents were basically like, "This is a very hard life, and you have to be really serious about it, and show us that you're serious about it. You can't drop out of school." They strongly encouraged me not to act professionally until I finished college, which I didn't. And I think they should have been horrified! It's a really hard life. I'd be really scared if I had a child who wanted to be an actor.
There are a lot of words that I knew first as a reader, and I never put the pieces together in my brain. The word segue I thought was pronounced "seeg," I think until I went to college, which is horribly embarrassing.
I was brought up with the sense that I was absolutely no different from my brothers. I went to college thinking I was absolutely no different from the men in college. But that's not true. I'm fundamentally different. The problem was not being able to understand difference and equality at the same time. It's something that we can't seem to comprehend. You can't state difference and also state equality. We have to state sameness to understand equality. It's a mistake.
There was a little bit of hesitancy about staying in Pittsburgh and not moving away for college, but that didn't last long. It was right in line with what I wanted, so I auditioned there and it wasn't a tough decision.
I thought I was going to be a theater actor. I moved to New York after college and did some plays and worked a lot. Once the realities of living as a theatrical actor hit me, I realized I wanted to start making a little bit of money and not have to bartend and work in theater.
In college, I won the Irene Ryan; it's kind of like a collegiate Tony, which got my career going. I was honored. I won a fellowship to the Kennedy Center, and that's where I got my agent.
I actually really liked teaching. I started teaching at UCB when I was in college. I would get someone to fill out an internship form or something so I would get the credit. But why did I start teaching? I loved it. I loved doing improv and loved UCB and wanted to be a part of that world and that community.
My brother, who's a few years older then me, went to college in New York. He said all of these people from Saturday Night Live do improv together in Upright Citizens Brigade, and I thought, "Oh, that sounds really cool." So when I got braces and couldn't play music anymore, I said to my parents that I wanted to go to New York and take a class at that place. They were remarkably on board with it. I got on the train, went up, took a class and I loved it.
I dropped out of high school and I tried to go to community college for a little while. I can't be a student. I always hated that lifestyle.
I tried to go to community college for a while, and it's a funny story. I walked into the English class on the first day, and they told us to write about what we did over the summer. I can't remember exactly, but I think I walked out exactly at that point and went to the office to ask for my money back.
When I was in college, I had only one ambition that one day I would like to be a director.
I was a freshman in college in 1980, the year that Reagan was elected, and I went around badgering people to vote for him.
When I was young, I was really, really obsessed with Gena Rowlands and John Cassavetes. Because my mom was a projectionist in college, she was somehow able to get a real projector. And she had some connections, so she would get real prints, and we'd put up a sheet. The first movies I saw were To Kill a Mockingbird [1962], Gigi [1958], A Woman Under the Influence [1974]. Then when I was old enough to be able to rent movies, I went through a very big Cassavetes phase.
When I was living in Boston I worked in this store that played the college radio station. I had to listen to it all day, and I didn't care for most of it.
When I was a freshman, I fooled around with shooting free throws this way: For some reason, I thought you had to stay within the top half of that free-throw circle, so I would step back to just inside the top of the circle, take off from behind the line and dunk. They outlawed that, but I wouldn't have done it in a game, anyway. I was a good free throw shooter in college." Actually he was a 62% free throw shooter, which is poor except in comparison to his 51% as a pro.