Color Quotes - Page 91

The light is there, and colors surround us. However, if there were no light nor colors in our own eye, we wouldn't perceive such things outside of us.

Colors are the deeds/ and sufferings of light.

I remember an era when you could get your nose sliced off for sticking it too far into another man's business. Now you can find out anything about anyone with the click of a button. There is no privacy and no consideration, and everyone is prying into things that aren't their affair. You can probably check on the intertube and find out what color underwear I have on today.

When you're writing fiction, you don't have notes necessarily. You don't carve it, it's not like a piece of sculpture, it's more like water color.

I start a book and I want to make it perfect, want it to turn every color, want it to be the world. Ten pages in, I've already blown it, limited it, made it less, marred it. That's very discouraging. I hate the book at that point. After a while I arrive at an accommodation: Well, it's not the ideal, it's not the perfect object I wanted to make, but maybe—if I go ahead and finish it anyway—I can get it right next time. Maybe I can have another chance.

You can be zany and funny or you can do something that really has some depth to it and serious, so there's many different colors to paint with. I would hate to get trapped in one little thing. I always feel like funny is an appendage, but it is not my whole body.

The three greatest people in my life as a young person were white, my high school superintendent, my high school coach and a - I graduate in Manhasset High, Kenneth Molloy who's a mentor to yours truly.I'm not a person that really deal in color.

I had the great idea of using markers to gently color the ants so I could tell them apart, but I learned that this is exactly like somebody trying to gently color on you with a thirty-story building. Without dwelling on the tragedy, I'd just like to say that I'm deeply sorry to Mr. Purple and the surviving Purple family.

To a person who expects every desert to be barren sand dunes, the Sonoran must come as a surprise. Not only are there no dunes, there's no sand. At least not the sort of sand you find at the beach. The ground does have a sandy color to it, or gray, but your feet won't sink in. It's hard, as if it's been tamped. And pebbly. And glinting with -- what else -- mica.

The process of creating art allows me to learn about the subject I'm illustrating. So, if I want to learn more about plantation life and slavery, I try to find clients that will give me an opportunity to work on projects that will visualize those experiences of the enslaved African and people of color. I get to learn about my roots, and my artwork allows the reader into that world by creating images that are accessible.

The information is there, you may not perceive it, but it does affect the lower orders. There are places where it just peaks out. It is like the color spectrum, it just simply goes beyond where you can perceive it any more but it is still going on. If you decide that the invisible continuation of the color spectrum is important to your sense of what reality is about, then you would want to extend it. Extend it as far as you could, as an aesthetic.

Before I started LimoLand, I mainly bought my clothes in Harlem, where I found clothing my size in fun colors. I still like to go there and see the vibrancy and colors of the neighborhood. I am also very influenced by the colors of my contemporary African and Japanese art collections.

We don't experience light, color, and gesture in a vacuum. We experience it in contexts.

There really isn't anything that you could call 'bad' color. It all has to do with the amount of color you use and in what context it appears.

Color really doesn't have interaction if it's full of colors. It's the interaction or relationship among or between colors that makes a color image. This usually happens with a few colors, not a glut of them.

Children go with whatever makes them feel good - like if that's the color green or orange, they do that with their clothes. As I've grown older, everything reversed. My music, my personality - onstage those things became my colors.

There still aren't enough[ roles for women of color]. And I'd say that's the case, not only for African-American women, but for all women in the Hollywood game. It's just slim pickings, and a very challenging time for us. I think that's why more of us need to work our way behind the camera in order to create roles that really illuminate who women are. We still have room for growth in that area, without a doubt.

Beverages have to be created. And they're created by looking at what trend is in, say, the fashion industry - what color's hot right now.

Color categories are on steroids in Latin America. I find that fascinating. It's very difficult for Americans, particularly African-Americans to understand or sympathize with.

The splitting up of color [as Impressionists did] brought the splitting up of form and contour . . . Everything is reduced to a mere sensation of the retina, but one which destroys all tranquility of surface and contour. Objects are differentiated only by the luminosity that is given them.

Drawing is of the Spirit and color of the Senses.

A painting in an interior spreads joy around it by the colors, which calm us.

Simple colours can affect the intimate feelings with all the more force because they are simple.

Gray is the queen of colors, because she makes everyone else look good.

I think that the best movies are made, not from a point of view that depends on your personal history, whether it's the color of your skin or the politics that you had or the place that you come from, but from a point of view of an understanding of human nature, an understanding of history, and an understanding of what motivates people.