What the Trump tax plan is a plan to give tiny little tax cuts to most Americans, raise taxes on perhaps one in five families and shower benefits on people who earn millions of dollars a year. And this fits with a fundamental principle the Republicans have been pursuing for a long time. The rich aren't investing and creating jobs, because they don't have nearly enough money, and so we need to get them money. And the way the Republicans want to get it to them is tax cuts first, and then to take away help for children, the disabled, the elderly and the poor.
Donald Trump is a master salesman. And he creates his own reality. So if he tells you, "This is a middle-class tax cut, and I, Donald Trump, won't benefit," he expects you to believe that. It doesn't matter that it's not true. It's he said it, you're supposed to believe it. And that's how he's run his entire administration. If he says it, that makes it true.
Donald Trump ran for office complaining that at $19 trillion, the US debt was completely out of control, and yet what he's planning to do is throw trillions of dollars more onto that debt. If the proposed tax plan cuts upon the wealthiest Americans is enacted, 10 years from now America's debt will be over $30 trillion. And so, he's contradicting, his own stated positions. And that's because, to Donald, none of this is about policy. It's not about sound economics. It's about greed and the glorification of the great leader.
The government is supposed to provide a level playing field where people can compete fairly. It's not supposed to cut deals with one company or another to do so.
I agree with the idea of cutting [budget], but it should all be coming out of entitlements for the affluent and not out of domestic discretionary, which is welfare, education, all the stuff the government does, parks, FBI, and it shouldn't be coming out of Medicaid.
I think the Republican budget priorities are messed up. I salute for the way they're attacking some of the entitlement programs, but they are taking huge cuts, by pretending they're just block-granting it to the states, out of Medicaid, from the least fortunate.
Every adaptation requires that the screenwriter make difficult choices - and in particular, difficult cuts.
As a writer, you have to be willing to kill your darlings, and I'm a writer first. As a director, I've got no problem cutting the scenes.
The truth is that as we move forward, if one side says we can't raise any taxes on anybody or any interest, and the other side says we can't cut anything, we're obviously not going to make progress on this. And our interest is in making progress on this.
Most blues don't have a beginning, middle, or end. You just cut a couple slices of blues.
Al Toon, who had his football career cut short because of multiple concussions, hopes his son follows in his footsteps.
When you adapt a book, you really have to cut it to the essence.
A lot of people that embark on spiritual endeavors tended to, especially in the '60s and '70s, they tended to give up what they had before and cut themselves off from their lives, previous life as it were. But, I don't think that one should do that.
A celebrity, whatever I am, you get cut off sometimes from people just by circumstance.
Congress is thinking about eliminating a federal program under which scientists broadcast signals to Alien beings. This would be a large mistake. Alien beings have atomic blaster death cannons. You cannot cut off their federal programs as if they were merely poor people.
I don't think people realizemilie-autumn-devils-carnivale that, once you turn your director's cut in, it's no longer yours.
In the NFL, every practice could make or break you. If you dropped one ball, you'd worry about getting cut.
Every time there's a cut in the action, we joke and dance around, there's show tunes and fart noises.
I am one of those sort of "lesser" types, those sensitive types, those people who wouldn't have made it on their own if other people hadn't helped them. A straightforward capitalist society would've cut them off and let them die. So I was saved by my friends and by my family and by people who cared about me, and by modern psychotherapy that cared about women.
Having been to culinary school, the single greatest asset I learned there was how to cut and chop properly. It's an investment of money that will save you hours of time down the road, and hopefully some cut fingers.
I think the experience of depression that I most think remains true throughout the years is it's very isolating. That to me is its strongest quality. That you're alone in a room, that you're cut off, you're just sort of stuck with it. It puts up a wall.
I'm sure that growing up in the Midwest played a role in my chronic escapism. In fact, before I lived in France, I lived in Japan, England, and Bulgaria. I was determined to experience other places and cultures, particularly because I had the perception that I'd been cut off from these experiences as a child.
There are lots of secretaries who send off special envoys and yes, say, "Do a great job," and that's fine until it costs you something. And then they cut you off.
In editing, you really face what the movie is. When you shoot it, you have this illusion that you're making the masterpieces that you're inspired by. But when you finally edit the movie, the movie is just a movie, so there is always a hint of disappointment, particularly when you see your first cut.
Literally, the piece at the end is where the universe is cracked apart, it's a big moment. Basically, they, the filmmakers, have directed the story earlier in the book. It happens, it's called adapting a book, you have to make decisions about things. It's not unusual having to cut out scenes.
