Cutting Quotes - Page 84

he cut through the 21st Century Gallery, past the big plastic statues of Pluto and Mickey, animal headed gods of lost America

A lot of modernism does seem to come out of a fear of being thought an ordinary storyteller. So they tell it backwards and they tell it in the present tense and they cut loose the pages and shuffle them around - all that kind of stuff.

Well the real concept of basic needs if you cut it right down are simply the physical needs that are unavoidable for all of us. So to have enough calories to keep our bodies going. Have shelter from extreme elements. To have water that is safe to drink, So I think that's the core of it.

If a scientist were to cut his ear off, no one would take it as evidence of a heightened sensibility.

A gun can be dangerous. But a gun can protect you, you can hunt for food with it - you know, the tool itself is a tool. The intention of the party using the tool is a part of the process, right? You know: the knife cuts the steak, stabs the person, saves somebody from danger, cuts somebody out of a car.

Look, very clearly there are things that need to be done urgently in relation to climate change, and of those the most obvious is to have an enforceable and equitable arrangement delivering deep cuts in emissions into the middle of the century.

Every first-rate editor I have ever heard of reads, edits and rewrites every word that goes into his publication.... Good editors are not 'permissive'; they do not let their colleagues do 'their thing'; they make sure that everybody does the 'paper's thing.' A good, let alone a great editor is an obsessive autocrat with a whim of iron, who rewrites and rewrites, cuts and slashes, until every piece is exactly the way he thinks it should have been done.

A heartfelt sense of aspiring cuts through negativity about yourself; it cuts through the heavy trips you lay on yourself.

Marketing to girls constantly presents a hypersexualized idea of girls; they're expected to appear sexy but be cut off from their sexuality.

Add to this cruelly delicate organism the overpowering necessity to create, create, create - so that without the creating of music or poetry or books or buildings or something of meaning, his very breath is cut off from him. He must create, must pour out creation. By some strange, unknown, inward urgency he is not really alive unless he is creating.

To be alone in the air at night is to be very much alone indeed. . . cut off from everything and everyone . . . nothing is 'familiar' any longer . . . . I think that unfamiliarity is the most difficult thing to face; one feels rather like Alice in Wonderland after she has nibbled the toadstool that made her grow smaller - and like Alice, one hopes that the process will stop while there is still something left!

Now, I don't actually know the exact cut-off age where beautiful ceases and "must have-once-been-beautiful" begins. It's true it's not forty-five. I can still get attention when I try really hard, even if it's greatly reduced.

In the clearing stands the boxer, and a fighter by his trade. And he carries a reminder of every glove that laid him down... or cut him till he cried out in his anger and his shame "I am leaving! I am leaving" but the fighter still remains.

We are faced with having to learn again about interdependency and the need for rootedness after several centuries of having systematically-and proudly-dismantled our roots, ties, and traditions. We had grown so tall we thought we could afford to cut the roots that held us down, only to discover that the tallest trees need the most elaborate roots of all.

Save for minor ailments and accident, my battalion is practically immune from sickness; colds come and go as a matter of course, sprains and cuts claim momentary attention, but otherwise the health of the battalion is perfect.

I was the last one to screen test for The Hardy Boys. I'd like to play that's not as clean-cut as Frank Hardy. I play him as straight as possible

I was getting a little bored with my hair. It's kind of a symbolic thing, just getting rid of the past, moving forward. It's amazing what a reaction you get when you cut your hair.

In the first season (of 'Californication'), when we had the threesome with the nipple clamps, I was, like, 'I don't get this, I don't know how you're gonna do it.' And then, all of a sudden, there's a crane with a camera hanging over our heads, and you're, like, 'Okayyyyyyy. But how are you gonna sell this? How are you gonna make it work?' And they ended up shooting it brilliantly, cutting it together, and it just all ended up working without me having to compromise my own personal morals.

I love art because I feel that it's evidence of the great shared universal power. I like art that feels real, that cuts the bullshit.

You don't cut anywhere, don't pick down anywhere, don't double screen, no weak side picking. All these things that should happen in a game of basketball don't happen anymore.

Cut the "im" out of impossible, leading that dynamic word standing out free and clear-possible.

When I got to Los Angeles, I started building cabins in peoples’ yards, building post-and-beam structures and cutting the joinery for those.

You know, even working actors can end up having a lot of spare time. And you can either go sit at the Starbucks and wait for your agent to call you, or you can go learn how to build a Shaker blanket chest with hand-cut dovetails.

He wasn't into one-night stands, he wasn't into scoring just to see if he could, he wasn't into acting just charming enough to get what he wanted before cutting loose in favor of someone new and attractive. He just wasn't like that. He would never be like that. When he met a girl, the first question he asked himself wasn't whether she was good for a few dates; it was whether she was the kind of girl he could imagine spending time with in the long haul.

It is the spread of the good things that vindicates the whole reason we live our lives in networks. If I was always violent to you or gave you germs, you would cut the ties to me and the network would disintegrate. In a deep and fundamental way, networks are connected to goodness, and goodness is required for networks to emerge and spread.