Design Quotes - Page 100

I really like Roland Moret, Alexander McQueen and Marios Schwab, a young British designer.

I've lived too long and I've lived too well.

In choosing a colour one must realize that it changes in different aspects.

Scale is of prime importance and I think that oversized scale is better than undersized scale.

I had learnt from going to Houghton that to make a room quiet, to make it harmonious, you never wanted to have only one 'mouvement' thng like the Savonnerie rug that would stand out. You must have 'mouvement' everywhere.

The only time this happened to me before was in Jil Sander in Berlin where they said, "We have nothing that will fit you." I said, "Yes, you do." And I found something great. This happens to me in Paris again and again and again. They don't carry anything over size 40 which is nothing, because I wear a size 42 or 44 but that's hard to find in Paris among the designer clothes. All stores are like that.

When I became tired of oil painting at one stage, I used collage and this proved to be influential in the design and composition of my later works.

An artist is a prophet and seer, not a paint craftsman or design maker, or reporter or entertainer... the artist has the superiorly searching perception with which that world outside of man's contamination can be penetrated and the truth drawn out from it.

Design is interesting because it's utopian. Art is often a jaundiced commentary on contemporary life. Design is always about the future; it's always about something great and new that's come out that will make the future brighter. It has this weird 18th - century positivism about it.

Perhaps religious conscience upsets the designs of those who feel that the highest wisdom and authority comes from government.

China is stealing our intellectual property, our patents, our designs, our technology, hacking into our computers, counterfeiting our goods.

I've never had a working relationship like I have with them. I developed a lot of the design of this show with them. That conversation was about, "What are your needs? What are you looking for? Will this work for you guys? Will a show work where you've got one episode per character?" They really were a creative partner.

I never designed before. I wasn't formally trained in design, I went to photography school at the ICP. But over time, I taught myself to draw, and I studied different techniques, various hemlines, and then I would take the ideas to a manufacturer and a patternmaker and have them produced into garments.

You can get a lot of design testing of your missile program, and you can do a lot of - there's other ways other than physically to develop your weaponization program to get you very close to the real deal.

It's funny now how much we look at - whatever you want to call it: art, design, culture stuff, film - online, and how in the online world, you're instantly global.

I have a really good relationship with a lot of designers. I like Gaultier, Billionaire and Cavalli.

What I love about design is the artistic and scientific complexity that also becomes useful . . . Great designers also pursue a mission. Great designers design with mankind in mind . . . The crossroads of science and art, innovation and inspiration are what I love about design.

I have seen books made of things neither studied nor ever understood ... the author contenting himself for his own part, to have cast the plot and projected the design of it, and by his industry to have bound up the fagot of unknown provisions; at least the ink and paper his own. This may be said to be a buying or borrowing, and not a making or compiling of a book.

Intelligent Design is a remarkably uncreative theory that abandons the search for understanding at the very point where it is most needed. If Intelligent Design is really a science, then the burden is on its scientists to discover the mechanisms used by the Intelligent Designer. (80)

Amazingly, my first project at Granta was the Sex issue. Given my own proclivity for the nuances of hedonistic and sexual exploration, partly through art, it was a perfect way to start. I love to interrogate through image - or pose questions through a subversion of said image - and we came up with a visual that caused quite a stir and went on to pick up a Design and Art Direction award.

When designing a kitchen, always keep in mind the social aspect.

My personal style icon is Steve McQueen. My design style icon is a mix of everyone from Jackie O. to Lauren Hutton to my mother.

And this is a table ma'am. What in essence it consists of is a horizontal rectilinear plane surface maintained by four vertical columnar supports, which we call legs. The tables in this laboratory, ma'am, are as advanced in design as one will find anywhere in the world.

It is not possible to be original by trying to be original - those who attempt this in the arts will be merely avant-garde. Originality is the product of an impulse to intense and overwhelming that it bursts the conventions and produces something new - again more by accident than design.

I love the idea of engaging the object, whether it be architecture or a piece of good graphic design, or a good painting, or piece of sculpture, or even a piece of industrial manufactured object. A piece of engineering can be quite beautiful, too, or a photomicrograph, or a cosmic photograph. We're physical beings and why deny that. So in that sense, it's very sensual to have an object that has the power to communicate some emotion or a state or give you some sense.