Different Quotes - Page 206

In fact, to me it's liberating to not think of identity as some organic property that we have to find and stick to, but actually something that is constructed, or that's imposed, that we can then counter by taking a different route and re-dressing it, and then re-dressing it again, and then re-dressing it again.

I've done a lot of operas. I've probably done more different kind of operas than anybody.

It does no one any good to say their novel sucks if you don't have an idea how to make it better, how to approach it from different angles and make it work. It's obviously a subjective process, right? But the thing about subjectivity, at least in the classroom, is that you're banking on your professor's subjectivity to be both personal and professional - that he or she has some sense about the world outside the workshop.

You come in as this satellite part of the film [Catching Fire], so I only see Stanley [Tucci] in my scenes. These kinds of movies have so many different components; it's about as different from doing The Girl as you could imagine.

I think it will be, as always, interesting to compare different portrayals of Hitchcock. I'm very honored that I'm playing the same part as Anthony Hopkins.

I know, for a fact, that I'm a very different person on my own than I am with someone else. We are different with each other. These things are constantly adjusted. And that's true of humans. That's not just true of famous people.

Love wasn't a piece of music you could play over and over again with different interpretations. It actually needed to be improvised as you went along.

A man's opinion of danger varies at different times, in consequence of an irregular tide of animal spirits; and he is actuated by considerations which he dares not avow.

I am Tina Yothers and I'll never be anyone different.

Tom Tom Club has a whole different attitude and approach, not just musically but in performance. Some people said they liked it.

30 Rock is a little different from other current sitcoms, in that it's fast-paced, but the pace comes from the actors, not the editing.

Every commercial covers different ground, different ideas, and it's my profession to direct and to tell stories - for me, it's very organic.

My roles don't centre around drugs at all! Shadiness is different - it's drama. We're making movies! You've gotta have conflict.

I'm trying to do something real different; I'm trying to bring the street to real pop. I'm trying to bring the street to pop. Not watering it down, no nothing.

I've been a writer and a parent since adolescence, it feels like, and I'm still making both gigs up as I go along. I did both in different forms of isolation - too young by conventional standards, too far off-grid culturally and geographically. So my experience is probably too specific to be useful. None of us do this stuff the same way. We just try to endure and press on, I guess.

Comedy covers such a wide range of different styles that I'm not really qualified to talk on all of them any more than anyone else is.

That's how it is online—there's no time in cyberspace. It's almost like everything physical evaporates, and it's just your mind and the different sites floating in a void.

Doing TV is a different kind of language.

I love the idea of messing around with different mediums.

I love horror films. And I like chick flicks! I like to approach the different genres of moviemaking and explore them. And you get a little better the more you do them.

Donald Trump's living in a different time, a time that is not a match for what Americans now believe about who our leaders should be.

If you look at sentencing in America, African-Americans and Latinos get sentenced for the same crimes at very different rates.

I have a set of images that go around the world in an art gallery installation. Each of them have different audiences, and they kind of each elucidate the subject in a slightly different way, and they ping off of each other.

Once you have MIDI information - I mean, it's a bit technical - that's your paint. You can slow down, pitch up, change notes within a different key. That's the foundation in which you can write things.

I work with digital audio, which is like sculpting, a form of chiseling down metal or wood. And I take audio and move it back and forth between the analog and digital realms and work with it almost like a plastic art until it takes forms in different shapes. And I use those figurines that come out of that type of work.