In digital, you can maintain the quality.
We live in a society right now which is the last phase of the ecosystem in terms of the old entertainment value, or the old entertainment construction, which is we've gone down to this instant gratification, instant numbers, instant understanding, instant. But it's like the exact - it has perfected itself to the instant click, when, in a way, creativity originates as a much more complex beast. So we now have to reinvent a new canvas where we can indulge in it. And that's where the digital revolution creates a whole new ecosystem of entertainment.
The digital revolution is forever. They put importance on that option as well. With Amazon, you're getting the best of both worlds, with a whole new playing field.
Film has lost something in the translation to high tech. It's become so super-real. It's with digital this and stereo that, and everything's like a CD.
Advertising is the life blood of the digital economy.
I like digital because you can shoot for longer.
Vinyl is great, I made a lot of vinyl, but I don't want new vinyl that's from digital sources, because that's a rip off.
We live in the digital age, and unfortunately it's degrading our music, not improving.
In this 21st century, bedtime doesn't matter at all. All that matters is what you set for your DVR [Digital Video Recorder].
The best value for money in cooking equipment, in my mind, is first a digital scale and digital thermometer. They're both about $20. They help you cook so much more accurately that they're both enormously valuable.
We need to embrace the change that digital connectivity can bring. Now, towns will come alongside places where optical fibre network is present.
Our demographic dividend must get the digital strength.
Right now is a very interesting time because of the digital cameras, and the fact that you can edit anywhere. It's a great time to be a filmmaker, is a great time to be starting off.
If journalism is the first draft of history, then digital literacy is the first blush of the first page of history.
I think digital will displace film, yes. We're talking about digital as a thing of the future, but I'm afraid that it's here.
I remind myself that Im always more satisfied by human interaction than by a digital connection.
WordPress, it's a complex tool; it's like the back of a digital SLR... but that doesn't work on a phone.
It's pointless to go against digital because sooner or later you won't be able to do anything else.
The key to digital effects is to do things that are visually accurate but done cheaply and approximated.
The digital artwork is characterized not by the technology which delivers it, but by the "passage" itself.
In the digital economy, everything is archived, catalogued, readily available, and yet nothing really endures.
The digital age is for me in many ways about temporal wounding. It's really messed up our ontological clocks.
Both cinematic culture and the culture at large have changed profoundly. We're now in post-cinematic digital culture, and the internet has obviously usurped movies, which are no longer central to our lives, at least not as a collective spectator experience.
Vodafone is building a digital stadium in Istanbul. It is really worth going to see that. The whole experience will change with the possibilities viewers will have.
We all have a history of digital texts, posts, messages, reposts/tweets that are sitting out there and can be used by anyone for any reason.
