Digital advertising is now larger than TV.
I didn't have a lot of independent film connections. It really took until the digital film revolution came along that I realized that I could do it myself.
The major media companies are playing a defensive game, and I'm not sure I blame them. If you look at the digital revolution, you look at who the winners and the losers are, there are some very very big losers - music, the newspaper industry. And there are some really big winners, social media, Facebook.
I believe that the physical effect, the physical set, whenever you can, is ten times better than the digital effect.
There are a lot of decisions to make, creatively. Now, with digital, you can really be the author of your own work. From the beginning to the end of the process, you control everything.
Animated films are so precisely engineered - right down to forming lines of dialogue with words pulled from several different takes - how do you translate that spontaneity from the live-action to the digital realm?
There is an abundance of data available in the digital world and if it’s harnessed effectively and correctly it can provide terrific insights.
Everyone seems to think that digital technology devoids the medium of content, but that is not true at all. If anything, it broadens the content.
There is incredible potential for digital technology in and beyond the classroom, but it is vital to rethink how learning is organised if we are to reap the rewards.
We won't really understand the brain until we can make models of it which are analog rather than digital, which nobody seems to be trying very much.
When you see Paul Thomas Anderson's The Master and it's shot on film at 75mm it's...you know. It's hard to compare. But I still think that digital is close enough, and I think it's getting closer and closer to be...there's no doubt it's going to be taking over completely unfortunately.
I am excited for the future of the industry, because we're at that point now where digital is becoming pertinent to release and distribution strategy versus releasing on cable or anywhere else.
Back in the day, no one had digital cameras. They took these pictures of me, got them developed, and then mailed them to me.
In America, we collect more digital communications from America than we do from the Russians.
Digital mechanics predicts that for every continuous symmetry of physics there will be some microscopic process that violates that symmetry.
Even if there were no illegal copying, the advent of digital distribution will put a lot of stress on the movie and music industry. When the distribution costs comes down, that puts more price pressure on the rest of the cost.
I didn't mention the tooth thing to anyone until it became clear that...we started to discuss just taking it out of the movie [The Hangover] because we couldn't find anything that worked and they couldn't afford to do a full like digital effect. So that's when I called my dentist and it worked out.
When digital culture first came along, it was supposed to create more time, by allowing us to shift time around. Somehow instead we've strapped devices to ourselves that ping us all the time.
Those who grew up digital have different brains.
Digital clocks took the 'space' out of time.
Just a little bit of exposure to this pulsed digital signal, which is now a cellphone signal, could weaken membranes of the brain.
I like digital cameras, because they enable you to reminisce immediately.
Some guys can do digital things where they make some tricks work, but I work on paper and I work with washes. You can't just change things afterwards. You have to get it right on the page.
Film and the other creative industries are being transformed by digital technologies.
What is Atlas Obscura? So, it was a small digital media company. It's an atlas, it's literally like, an atlas of places, wonderful, unusual places.
