Confidence, not paper or digital money, is the key currency in a capitalist system.
With digital, you can shoot longer, take more risks.
Paper remains the standard to which digital media can only aspire.
If I have to shoot on digital, I will not make the film.
A digital frontier to reshape the human condition.
I consider myself a digital artist, so what I'll do is create everything with technology.
It's funny, because I'm so associated with digital art and computer art, and yet I spend so little time in front of the computer.
Money is becoming increasingly plastic and digital. If there is a major disaster, let's say an asteroid strike, we'll go back to trading meats and furs. We won't need an abstraction, a dollar bill, but real tangible goods to survive.
I've been making the recordings for a long time, and I have tons and tons of them. I'm like a digital hoarder or something - everything is on like hard drives and whatever.
When you brought the digital revolution in, all of a sudden, you could build a country like Singapore and take that country, which had the income per capita of Ghana in 1965, and make it something similar to the United States in one generation.
Try to live without something digital - without digital code for about two hours, very hard to do if you're awake.
There's always a question when you invest. Are you too early, are you too late, or are you just right? And there was a lot of hype about life sciences, around the sequencing of the human genome and a lot of people concluded that's not really there. But by the way, there was a lot of hype around the digital revolution just about the time of 2000 and the human genome, and it turns out that some of the world's biggest, most powerful companies are the survivors post that crash.
It's easy to make a pirate copy when you have digital tapes of things. And it was so complicated and complex to go through all the post-production of a movie without ever going digital.
Digital books and other texts are increasingly coming under the control of distributors and other gatekeepers rather than readers and libraries.
In fact, it's in my interest to love digital recording, and I just spent a ton on a new digital recording system, so I speak from a place of heavy investment in both sides.
Not since the steam engine has any invention disrupted business models like the Internet. Whole industries including music distribution, yellow-pages directories, landline telephones, and fax machines have been radically reordered by the digital revolution.
It's not about being digital. It's about students who are born digital.
Turning music into digital was just a con, a record-company con.
Digital media has destroyed much of the magic and mystery of the medium.
Anybody can make a movie, if you have the will. The digital revolution has made it very inexpensive to make a film. Anybody who wants to can do it.
My background is in like short form digital media, I call myself more of a digital filmmaker than anything else.
The one aspect I do love about digital is I love to push performance and I love to roll and roll and keep doing takes in a single performance.
Having the kind of infinite loop of what a digital stream is - you can shoot for a long time without cutting - allows me to sometimes perform really exciting things.
I do think there's something about the digital age that is increasingly dehumanising us. We're in this very weird place where we're being pulled into experiences that aren't really experiences at all.
I think, once recipes become digital, pirating a digital recipe and all the questions that you have with music and so forth will become pertinent to food as well.
