Emotional Quotes - Page 113

The job of the writer is to look at where he is now and make some sort of emotional sense of it, not only for that moment but for years to come.

Audiences will see what they want to see. Some will come out, hopefully enjoying two hours of action. Some people will find themselves gravitating towards the emotional dilemma that the characters find themselves in. Other people will see that there is some layer of subversions to the storytelling aspect of poking a finger of judgment at certain governments to the idea of foreign invasion, others maybe false pretenses.

The theater is a communal experience, and whatever the emotional connection between an audience member and the actors onstage, it ripples through the whole audience. Part of the fun of the play is being a part of that audience.

If the play works in an emotional and engaging way purely from what's on the page, then what's on the stage will be the icing on the cake. If the play didn't work as a play on its own terms, none of the magic, none of the special effects or theatricality of it all, would add up to anything.

What I like about Paper Girls in particular is that because we're approaching it more from a female perspective, we're able to consider the emotional states of these characters a little bit more, and think more of their interiority.

I'm a very emotional person, and I love feeling things, so I tend to approach things kind of openly.

There has to be a reason of whether you look right or you bring the emotional or intellectual baggage of what's required for the storytelling. For me, it's not something I've aspired to say, "I'm going to be working in Hollywood."

With the novels, I usually start from something in my own life that I can't resolve, so I turn it into a metaphor and for months or sometimes years I'll exhaust all of my emotional reaction to this issue by making it enormous on the page.

Just for the record, the weather today is increasing turmoil with a possible physical and emotional breakdown.

Unless we have that moment of chaos, followed by the emotional release of realization, nothing will be remembered.

The message of "The Winner Takes It All" is straightforward: It argues that the concept of relationships ending on mutual terms is an emotional fallacy. One person is inevitably okay and the other is inevitably devastated.

When you're dealing with the world of dreams, the psyche, and potential of a human mind, there has to be emotional stakes. You have to deal with issues of memory and desire.

The new book is amazing. It's called, The Pleiadian Promise. I get emotional when I just connect to it, because it's really an amazing, powerful, powerful piece of work.

The actual initiations open up any dense areas in the physical body. The Pleiadian start to break up where the individual is holding on to a physical illness or a particular emotional experience. They always address the human being.

Friendship has no civil, and few emotional, rights in our society.

The horrors have made the legend of Mandelstam and are inevitably the lens through which we read his work and life. But if there had been no Stalin and no purge, Mandelstam still would have been a poet of severe emotional and existential extremity.

Emotional affairs, those are the only real affairs; those are the real ones.

Music videos are very concrete and rigid. They don't allow for emotional interaction.

Medicare, getting through that in the '60s, after Kennedy's assassination, where there was such an emotional desire to do something to carry on his agenda.

I think sometimes people become quite emotional about the characters as well, and that's pretty cool that you can get that emotion out of people. And I think that's more my motivation than like, "Hey I want to be the funny guy, I want to be that famous funny guy." That doesn't sit as well with me as the idea of taking people on this ride and taking them into the illusion of the characters. That's much more exciting for me.

Think of a single word. We'll use soul as our example. How do you define soul? Is it the same definition I use? Can it ever be it? My soul is not your soul. Our souls, our definitions, are shaped by the singular and cumulative experiences in our lives, the emotional weight we attach to a concept forever locked in the space behind our own eyes.

Women are emotional! And being an artist and a woman is probably more difficult because you have more stuff to overcome.

Successful prime-time television of any genre produces some kind of emotional reaction in the viewers. There are a lot of different emotions to tap into. The emotion of the reward of discovery, the feeling of righteous anger, the feelings of pathos and sadness, or sentimentality of being moved by something.

I feel like being nerd is not about the superficial quality; it's about how nerds approach life. It's much more emotional and mental than it is you're some fat guy living in your mom's basement, which I think is just a hacky stereotype.

I really loved working on comedy. Most of my roles have been very dramatic and involved lots of emotional work and crying on cue. I do really enjoy those roles because you really feel accomplished at the end of the day but they are very emotionally draining! Working on a comedy show is just fun and at the end everyone is laughing! But I am open to all roles and genres just being on a set and being a part of the magic is what I love most!