Emotional Quotes - Page 66

Woven through Timothy J. Clark’s paintings are unique combinations of visual and emotional stimuli.His sense of space, light and composition combine to create graphic tensions which intrigue beyond the beautifully-painted forms of the subjects.

As a society, we are typically deeply disassociated from animal cruelty, but more than ever, animal protection organizations are telling the backstory. People are being forced, to confront the realities. At the same time, we have an ever-growing understanding of the intelligence and emotional capacities of animals and an acceptance of the principle that animal cruelty is a moral problem.

A good concert, if you're kind of relaxed, it can do something to you. It's sort of an emotional break you get by listening to music.

Terry Farish seems to breathe the reader into the emotional spaces of war, exile, and refugee life. The Good Braider is a delicate stunning exploration of its young protagonist's life and heart.

I do sort of believe that in life all manifestations of evil usually come from an emotional place. They come from some kind of emotional heartbreak or some psychological damage. I'm not a psychologist and that's probably for the best but I am interested in it.

Action alone doesnt work in Germany - you need an emotional element to the story.

It is in the intellectual and emotional response, the conscious and subconscious associations of the artist, that the potential power of painting lies.

Well the themes for me were and remain sex and love and grief and death - the things that make us and undo us, create and destroy, how we breed and disappear and the emotional context that surrounds these events.

Of one thing we can be sure: our own future is inseparable from the larger community that brought us into being and which sustains us in every expression of our human quality of life, in our aesthetic and emotional sensitivities, our intellectual perceptions, our sense of the divine, as well as in our physical nourishment and bodily healing.

I like to think of what happens to characters in good novels and stories as knots--things keep knotting up. And by the end of the story--readers see an unknotting of sorts. Not what you expect, not the easy answers you get on TV, not wash and wear philosophies, but a reproduction of believable, emotional experiences.

Globalisation means indeed everything is global but there are still very specific centres of power, especially when it comes to media and news.Misinformation about some attacks is going to affect how emotionally involved the audience is going to get. In the end, an emotional ranking is artificially created when it comes to casualties.

Stronach's fragile beauty belies an emotional strength, pragmatic resiliency, and intellectual courage. Her ideas and choreography are both enigmatic and playful.

I wish emotional bruises healed like physical ones.

A Dark Night is a mental and emotional state of despair that arises when something is so painful that it blots out all other considerations and makes carrying on as usual out of the question.

I think that music is a very difficult art form in which to be avant-garde. When we sit down to listen to a piece of music, I think our implicit hope is that we're going to find it beautiful, or at least emotional, on some level.

It is possible to cause seemingly biochemical changes through human emotional involvement. You literally have changed his chemistry by being his friend.

When a person has access to both the intuitive, creative and visual right brain, and the analytical, logical, verbal left brain, then the whole brain is working...And this tool is best suited to the reality of what life is, because life is not just logical-it is also emotional.

A good affirmation has five basic ingredients: it's personal, it's positive, it's present tense, it's visual, and it's emotional.

Know what it is the emotional statement to convey, and use taste and judgement to help the actors give their best possible performance.

I really feel our job as actors is to find a human experience in the character. So, for me, genre comes second; it's about script and the emotional journey of that character. Genre definitely has an impact, but it has more of an impact on the way the character is expressed. We all have the same core emotions of love, jealousy, rage - it's just how they're expressed.

There's an 'Everything must go!' emotional liquidation feel to the end of your twenties, isn't there? What will happen if we turn thirty and we're not 'ready?' You don't feel entirely settled in any aspect of your life, even if you are on paper.

Films used to be about challenging, emotional journeys or moral questions that might make you walk away and re-evaluate how you felt about... whatever. Now we're walking out of the cinema really not thinking about anything, other than the fact that the Hulk had a fight with a robot.

An intimate friend and a hated enemy have always been indispensable requirements for my emotional life; I have always been able to create them anew, and not infrequently my childish ideal has been so closely approached that friend and enemy coincided in the same person.

What people want is the extra, the emotional bonus they get when they buy something they love.

The only way to get what you're worth is to stand out, to exert emotional labor, to be seen as indispensable, and to produce interactions that organizations and people care deeply about.