Emotional Quotes - Page 78

It has to go to the level of emotional connection, where you feel without it you're lost.

Abstraction means getting away from a visual interpretation but nearer to an emotional one.

I have a daughter who, when younger, possessed no barrier between her emotional self and the outside world. Her emotional insides spilled out all over, and, especially when I was sleep-deprived and probably a little paranoid, this really threatened me. It was as if she were embodying and expressing the insecurities and freaked-outedness I never express, and which I've learned over the years to keep hidden.

I was nine. I saw Orson Welles in 'Julius Caesar.' It was involving, emotional, imaginative. I've never forgotten it.

Structure that really pays off is all based on emotion. I don't write down an elaborate plan. It's really done by feel. It's one area of my writing that I think I've got surer at as I've evolved. In my work you often get an abrupt shift in time, a jolt. But the emotional logic will take the reader on. I hope. I trust. After all, our memories do not work with any sequential logic.

The real challenge in acting is in comedy. It's easier to get that gasp in a drama. Not easy, because you still have to find that emotional pitch. And when you do something in drama and you hear that sob from the audience it's so fulfilling. But as a comic actor, when the laugh is supposed to come and you punch in that line and nothing happens it is dreadful. It's horrific and you feel like dying right there.

As much as possible, and this as quickly as possible: that is what the great mental and emotional illness craves that is variously called "present" or "culture," but that is actually a symptom of consumption.

We are long-term players in the industry. We're not just crazy and emotional. We try to be logical business managers.

Suddenly it all seemed luminously clear. Love had very little to do with fear and emotional sabotage; love had to do with trust.

The feminization of America has made emotions sacrosanct while condemning as cold and unfeeling rigorous concepts such as duty andhonor. Propelled by incessant hosannas to woman's "finer" this and "softer" that, we make emotional decisions instead of ethical ones and then congratulate ourselves for having "heart.

I love therapy! There's nothing like talking to someone who has no emotional tie to your life

I'm a very emotional writer. I always need to have a boyfriend. I always need to have some food. I always need to have a heater at my feet, and I drink this thing called Cool Brew, which I found in Louisiana. It's like condensed coffee.

I no longer protect myself from the world I grew up in. Rather, today I try to protect the feelings I have for that world, the emotional space where my desire to write first took hold, and still grows.

We have a media that goes along with the government by parroting phrases intended to provoke a certain emotional response - for example, "national security." Everyone says "national security" to the point that we now must use the term "national security." But it is not national security that they're concerned with; it is state security. And that's a key distinction.

In the art world, creativity involves aesthetic sensibility, emotional resonance and a gift for expression.

Is it just me, or does every woman in New York have a severe emotional problem?

Biophilia, if it exists, and I believe it exists, is the innately emotional affiliation of human beings to other living organisms.

Often you find actors have big hearts; they're quite emotional people. Talking to actors who date other actors, and talking to people who deal with other actors, they often get emotionally caught up in lots of different things. They often wear their hearts on their sleeves. They feel things quite a lot - often to the nth degree, which I can imagine could make it quite difficult to date some of us. I think it's about having an emotional availability that you can kind of draw on. But I'm also searching for that. I'll be searching for the answer to that question for the rest of my life.

Listen, Harriet. I do unterstand. I know you don't want either to give or to take ... You don't want ever again to have to depend for happiness on another person." "That's true. That's the truest thing you ever said." "All right. I can respect that. Only you've got to play the game. Don't force an emotional situation and then blame me for it." "But I don't want any situation. I want to be left in peace.

There are a couple of writers I admired who were very good at giving the character's emotion without stating what that emotion was. Not saying "He was feeling tense," instead saying, "His hand squeezed harder on the chair arm," as if staying outside the guy. I wanted to try doing that. I wanted to have a really emotional story in which the characters' emotions are never straight - out told to you, but you get it.

What I've realized is that a film operates both on the intellectual and emotional levels, and if you can find a way to tell a riveting story and draw ideas out of that, it's very powerful.

I think a lot of the time, the studio system is so compelled to kowtow to its fear that women are not going to be found sympathetic. It just sort of euthanizes any hope of more diverse examples of the emotional realities of people. Representing my gender, I think, "Well, I have those emotions, why don't those ever get brought to the screen so I can feel recognized?"

One of a person's greatest emotional needs is to feel appreciated. Start by appreciating yourself.

Emotional intelligence grows through perception. Look around at your present situation and observe it through the level of feeling.

When I was exposed to the history and the cultural background of why women whose husbands die, why they have to become ascetic or live a life that is completely deprived of emotional or social or cultural sustenance, I was really shocked.