Ghouls Quotes - Page 2

When other little girls wanted to be ballet dancers I kind of wanted to be a vampire.

I knew nothing about film at all. I suppose the biggest surprise is all these things. In the theatre we sort of do, I might do two or three key interviews and that would be it.

I've got one idea I want to do for a film and you know I just enjoy myself doing bits and pieces.

I think that my vampires in general were influenced by my being allowed to watch the Hammer vampire films. Vampire Circus, also shown as Circus of Fear, was one of those movies

But with the Berlin, I was able to allow him to get near, but not quite near enough, and I knew where to draw the line with the fortresses I had set up.

Nixon did have a secret plan, and I knew that it involved making threats of nuclear war to North Vietnam.

There was no male vampire type in existence. Someone suggested an actor of the Continental School who could play any type, and mentioned me.

I knew from a very young age that there was something very wrong with me

When I heard the ghouls coming for you, all I cared about was reaching you in time. How often must I tell you that you mean more to me than vengeance? I can live without defeating my enemies, but I cannot live without you.

What I'm working on now - I'm back to fantasy, although considering that it's me, I'm turning it into a kind of science fantasy. It's a vampire story - but my vampires are biological vampires. They didn't become vampires because someone bit them; they were born that way.

We don't know all the answers. If we knew all the answers we'd be bored, wouldn't we? We keep looking, searching, trying to get more knowledge.

There are such beings as vampires, some of us have evidence that they exist. Even had we not the proof of our own unhappy experience, the teachings and the records of the past give proof enough for sane peoples.

We had two cameras, so they could turn it on and shoot as much as we wanted. You don't have to worry about wasting money on film. A lot more takes are possible.

In film, you can't go into analytical explorations because the audience will reject that.

I was amazed at the support that I got when I was in there. And when I came out people knew that I was back on track. I was interested in working again.

We knew we did not want to record at Impulse Studios again, after the experience of recording in a 'real' studio in London for the Radio One session we did.

If you were a warrior, you would know that the worst thing one can do is confront human beings directly.

The vampire was a complete change from the usual romantic characters I was playing, but it was a success.

Curious things, habits. People themselves never knew they had them.

Begin each day as if it were on purpose.

As a child I knew almost nothing, nothing beyond what I had picked up in my grandmother's house. All children, I suppose, come into the world like that, not knowing who they are.

Interview with a Vampire was lots of sex, so I'm not sure.

The film director, in many instances, has to swallow somebody else's decision about the final form of something. It's so hard as to be intolerable.

It isn't glamorous until after the film is finished, and you are at the premiere and getting your picture on the cover of magazines.

Working on a film, you don't get time to develop rivalries, but the theatre is like a little village, and the differences between me, Lionel and Georgia grew.