There were drinks and food in full force, and some Moroi guy had a guitar out and was trying to impress girls with his musical skills—which were nonexistent. In fact, his music was so awful that he might have discovered a new way to kill Strigoi.
I felt I had nothing more to say. Everything would have had to be a replay of the previous two or three albums, and that decided me to stop. What bothered me most was not playing guitar at all anymore. I felt I had no more contact with the instrument. It was just a piece of wood to me. I even thought music had definitely left me. After fourteen albums, there may be an overload phase, a sort of lassitude.
Television was the only band of its ilk that treated the guitar with delicacy, not as simple rhythm support for teenage aggression.
Some-one called my style 'sense of urgency' guitar playing and I've always admitted I often don't know where I'm going when I solo. But that desperation is what makes it exciting.
To me, the coolest riffs are composed of two guitar parts that interlock like gears. You need both parts to make whole. I work things out on an electric that's not plugged in to make sure a good tone isn't forgiving a part that couldn't stand up naked. Only after the parts are written will I struggle to find a tone that supports the creativity.
Invariably, guitar players that go solo make really bad records.
I play piano and guitar and I do write my own stuff so to a certain extent I know what I want to do in regards to music. But I'm still finding out what kind of music is my favourite kind to listen to, never mind do myself so I've got a lot of time to find out myself and develop myself as an artist.
I've never stopped working on songs and practising singing and guitar.
If I'm going to buy a new guitar, I take it to a good 'hot' room, like a tiled bathroom, and listen to the wood. If tone comes off the neck, you can bet it's gonna sound beautiful through an amp
I started playing guitar before I can really remember, and I started writing really early, too.
You’re not going to suck.’’ ‘‘Not at the guitar, anyway,’’ Shane said, deadpan. Claire punched him in the arm. ‘‘Ow.
I play guitar, the ukulele and the piano. I grew up on a mountain in Tennessee and we had The Mountain Opry, where anyone could just get up on stage to perform. It was just about the soul and heart of music. My upbringing was less about being great and more about just doing what you love. It was always for joy.
I grew up hard. I picked cotton and plowed with the mule and fixed the cars and played with the guitar and the piano.
I've just been recording mostly acoustic stuff, drums, and sax, and electric guitar. I'm just still writing songs and what not.
I just recorded in studios, you know, people pressed the buttons for me. So I just started recording the bass lines and guitar parts with my voice, covering classical pieces, or just making up melodies so I could learn how to use it.
I started harmonica at the age of four, and when I was 12 I started the guitar. Then I played at school.
If I were to have my own brand of guitars, they would have to be industructable.
If I had an axe on the evening at Newport when [Dylan] broke out the electric guitar, I'd have cut his cable.
When you play the 12-string guitar,you spend half your life tuning the instrument and the other half playing it out of tune.
There are a lot of influences from different countries in my music. For example, I chose the guitar in my music, I think that it is a feminine instrument, so when I do not sing, the music expresses my voice.
I'm fine with being thought of as a guitar player, and if I can get any recognition or respect for doing that, that's a pretty good thing for me.
When I lived in a little flat in Pimlico in 1981, I'd write in the hallway. As you walked in, there was a tiny little recess type thing, hardly a hallway, really, and I'd sit there writing songs with my guitar.
I've always loved Ibanez guitars, and in particular 7 strings.
I wrote, recorded and produced everything myself. I played the guitars and keyboards while the drums were programmed. As a producer, I think music technology has reached a point, where the results that can be achieved in this way, allows me to create the music and sounds I envision.
Elvis was the reason I picked up the guitar.