Once I had the band, Jason [Moran] and John [Patitucci] and Eric [Harland] - it's very exciting to have that trio of just world-class guys - I already knew it was going to be fantastic. I didn't really tell them anything about it. They didn't know what they were going to play beforehand.
JJ Abrams is definitely a guy that when he calls, you want to answer. He's incredibly focused. When he was shooting the pilot on 'Lost,' we'd do a take and he'd go back to his tent and be working on the first episodes of 'Lost' as well as the cliffhanger for the eighth season of 'Alias.' He's an incredible multitasker.
Paul [Walker]’s kindness was pure. He never asked for credit of glory. He was just a really good guy.
You never want to be the whitest-sounding black guy in a room.
The world has wanted me to speak differently than I speak. You know, I speak like my mom; I speak like, you know, like the whitest white dude; I speak like a Def Comedy Jam comedian doing an impression of a white guy.
I want to be more than just some guy who played in a World Cup final.
For me, I felt bad for people asking the questions, cause you know their boss sent them out saying, 'Get me something on Mission Impossible.' And you ask the question, and it's just a polite, 'I'm not going to tell you.' Then, every so often, they'd go, 'Well, can't you just tell us a little bit?' I have to say, 'You know what guys, I'm under contract and I'm not going to tell you anything.' So you keep asking the questions and I'm just going to keep smiling. And it's hard, cause I don't want to seem rude, but it's part of my job just like it's part of their job to keep a secret.
My grandfather was a Holocaust survivor and his life and history were very formative to myself and my family. The almost unimaginable dichotomy between the different eras of his life always crushed my brain on some level. That this guy who was shoveling carob chips out of a barrel and restocking yogurt popsicles could also have those numbers on his arm. It was an inconceivable juxtaposition. His experience was the main window for our family into any kind of social consciousness, or sense of history, or politics, even though a lot of it went unsaid.
I'm very, very attracted to morally ambiguous characters, not just pure bad guys or pure good guys.
I was a guy who needed to go to class, because I had some raw talent that I thought was identifiable, when I finally made a decision to be an actor. And yet I wanted to learn how to really do the stuff. You know, 'How do I get to be a serious actor?
Most of the guys like sticking to the script and doing just what's written. If they're exploring, they're exploring ways of doing the script.
Do you guys have to sell everything? I'd like to buy the Earth's core.
Remember that guy who got gored by a bull and the bull pulled his underwear off and he had to run around the ring naked? If that footage comes out, I'll run that.
Does anyone know... does the Christian persecution complex have an expiration date? Because... uh... you've all been in charge pretty much since... uh... what was that guys name... Constantine. He converted in, what was it, 312 A.D. I'm just saying, enjoy your success.
I've always been a guy that has strived for dominating, not only winning.
I'm just really not even that huge of a UFC fan. If you go on my Instagram or Twitter, you will notice ... people that I've actually met and hung out with, you know, I'm not like a huge UFC guy.
Percy France told me, similarly, he and Bird used to hang out. They were good buddies. And he said, "Man, we'd just walk through town, sometimes with our horns. And we'd walk by past an Irish bar. And you'd stand outside and check out the music. And Bird would go in and sit in with these traditional Irish musicians. Then we'd past a Greek restaurant and we'd hear that. And Charles "Bird" Parker would go sit in with those guys. He was just listening to everything, reacting to everything.
When [Charlie Parker] saw the young guys, especially the ones that were scuffling... "Did you eat today?" And if you hadn't eaten, he'd take you and buy you some lunch.
You hear about the struggles with substances and all that, but [Phil Wood] was a really a great guy. This was a great man.
I was [ on Thelonious Monk International Saxophone Competition] with Ralph Bowen, and Joel Frahm, Jimmy Greene, John Ellis. You can't play the saxophone better than any of those guys play. So many of those things that those guys could do I wish I could do now, let alone then.
Now we also need people who just love to listen to the music. And we need people that want to work to facilitate it. That want to do work, have somebody like Bret Primack, the jazz video guy.
A guy like Scott [Robinson] plays the whole history of music on every instrument you've ever heard of. He's just kind of an unparalleled genius.
Hearing Phil [wood] a lot, those few years especially when I was going to hear music and Tom Harrell was in the band. Man that was incredible. Hearing Tom at that period, and hearing Phil in that period, and also [Charles] McPherson. Those three guys were very impactful. Very inspiring to me at the time.
Ernie Hayes, Jimmy Lewis, and either Belton Evans or Khalil Mahdi on drums [were in Sweet Basil]. All those guys really took care of me.
I just lucked into a lot of good people man. In my life and through friends, and in the music, that really embraced me and took care of me. I'm a lucky guy.