Hip Hop Quotes - Page 45

Today's Baudelaires are hip-hop artists.

When I was growing up, hip-hop music existed as American thing. If you listened to it you were listening to an American subculture, whereas now you're just listening to pop music that everyone shares. I think that's big.

I'm a big hip hop fan.

There's a real self-serving element to hip-hop that threatens its life span.

Hip-hop and R&B are especially fertile bases of collaboration. It always makes good records and good music.

I listen to all those kinds of music, from classic soul to hip-hop to Brazilian music to, you know, jazz to indie to alternative... And for me, when I'm making music, it's all in my head, and all those influences in my head. So if something comes to me that's a reference from a different genre then people are used to hearing from me, I'm not afraid to go there with it.

I may be able to concentrate on a move, but it may not look exactly how I need it to look like, as far as in the ballroom world. Hip-hop is different; it is a lot more flowy with ballroom.

I am a hip-hop artist, as you probably know. My hip-hop name is Big Smalls.

I think we need to sort of broaden our definition of poetry, which maybe it's a good thing that they just gave this Nobel Prize to [Bob] Dylan because blurring the lines of song lyrics and also hip-hop for me is like some of the greatest uses - most innovative uses of language in my lifetime.

I could hear music playing in the background of works by certain authors, like Poe and Shakespeare. And I discovered Nikki Giovanni when I was in eighth grade. Her writing has a musical energy with pulse and rhythm, almost like jazz or hip-hop.

I was raised with opera and very white-bread folk music like The Kingston Trio. That was about as daring as it got. So when I discovered hip-hop as a teenager, at first it made no sense to me at all.

Hip-hop is mostly what I listen to, other than jazz. I've given up on pop music and indie rock.

I've been a fan of hip-hop for a really long time, and I still am.

I felt like hip-hop was my music, it was like my outsider music... but then my mom started answering our phone, 'Yo, what's up.' She was hearing me talk to my friends. I was like, 'No, mom, don't cop the hip-hop talk.

I had danced with Janet Jackson and P. Diddy so I had done a bunch of hip hop. Really and truly my roots are in modern and ballet but, professionally, that's not really out there any more, unfortunately, so these artists aren't really having a lot of ballet dancers behind them so I had to learn hip hop really quick.

Street culture is punk, hip-hop, skateboarding, surfing, graffiti. It's like a massive global culture that is all tied together. But for so many years it was very geographic.

I gave you prophecy on my first joint, and y'all lamed out Didn't really appreciate it, 'til the second one came out

I got this black chick, she don't know how to act Always talkin' out her neck, makin' her fingers snap She like, "Listen Jigga Man, I don't care if you rap You better - R-E-S-P-E-C-T me

The hip-hop aesthetic and the way it's produced always motivated me. Alongside that I was still wanting to make great traditional songs because I've never had any desire to rap. My love of hip-hop is driven by my love of rappers, but it was built out of my love of producers.

Hip-hop has been the guiding light of my life as a musician and a music fan. It's the one common thread through all of it from the time I bought my first record probably. It's always been there.

Blues, rock and hip hop are more about a lifestyle and culture than notes on a page.

For us, selling a million records in 2005 is the equivalent of selling 2 to 3 million records (five years ago). Rock records aren't flying off the shelves like they used to. Hip-hop and pop are so huge. (But) everything's on the upswing for us.

I dabble in hip-hop, but my knowledge is so minimal, it's not even worth talking about.

That's the unwritten rule in hip-hop. If I get on a record with you, I want to smash you. That's it. Every MC knows that. If I'm on a track with you, I want to be the best on the track. That's just how it is in hip-hop.

If imitation is the greatest form of flattery, Punk, don't flatter me.