Independent Quotes - Page 83

The absolute bedrock of our independence is having control over our own bodies. You cannot be independent if the government or someone else says whether or not you can use birth control. Unless you're in charge of your body, you're not in charge of anything. I think that's really the bottom line of feminism.

Men must be stripped of arrogance and women must become independent for any mutually nurturing alliance to endure between the sexes.

I might do my own independent film, that my husband wrote for me, if all the ducks are in a row.

I think I'm wealthy. I make a good living for what I do. Well, it depends. If I'm doing an independent film I'm making no money - probably losing money. But if I'm doing a studio film, I'll make a decent wage. I can live for a year without working.

That stupid people are more violent is a fact independent of skin color.

Having been an actor, I always want to leave room for the actors to find their comfort zone, so I don't like to be too rigid in how I plan my shots. It's different if you have weeks to rehearse and you can rehearse on your sets or in your locations and you can plan that out with your actors, but in modern independent filmmaking, you don't really have that time. You have to have a certain level of improvisation.

Acting never was about the money for me... Maybe in 10 years, I'll be able to appreciate the fact that I am financially stable and independent and I don't have to make bad choices. I can be very picky.

We say that if America has entered the war to make the world safe for democracy, she must first make democracy safe in America. How else is the world to take America seriously, when democracy at home is daily being outraged, free speech suppressed, peaceable assemblies broken up by overbearing and brutal gangsters in uniform; when free press is curtailed and every independent opinion gagged? Verily, poor as we are in democracy, how can we give of it to the world?

In my stories, I think, as I've gotten older, the characters have become stronger and more independent, and more capable of making unconventional decisions.

How happy is the little stone That rambles in the road alone, And doesn't care about careers, And exigencies never fears; Whose coat of elemental brown A passing universe put on; And independent as the sun, Associates or glows alone, Fulfilling absolute decree In casual simplicity.

I've realized that what you think of when you make a 'big movie,' if it's actually a green screen movie, it's like doing independent New York theater because you don't have any backgrounds or props. So it's kind of like making the lowest budgeted film you could possibly imagine, plus $100 million.

You always have regime-friendly poets like Muhammad Mahdi al-Jawahiri, whose career basically spans the twentieth century. He's an anti-imperialist, friendly with the Communists, and somehow survives all that and is shuttling between Baghdad and Damascus depending on which way the winds are blowing with the Baathists and their competition. But he's not a regime stooge, he's independent.

I always went to see independent films, they're the movies I'm usually most excited to see.

I had to work out where I was going, what type of films I wanted to make. For that reason, I decided to choose independent productions, less important roles, and I tried theater, too.

We do not suffer by accident. It does not often happen that the interference of friends will persuade a young man of independent fortune to think no more of a girl whom he was violently in love with only a few days before.

I'm really interested in making movies that people see: I've made a lot of independent films and it's really depressing when no one sees them.

The emergence of the independent hip-hop scene has replaced what we called the "underground scene". It's what the underground scene has evolved into: actual businesses.

The worst part is that if you become part of a major - all these independent labels become farm teams for your corporate parent. Basically, you do all the work for years, blowing up an artist - you discover them, blow them up, you build their fan base. And then that artist is like, "Okay, now I'm here. Now I want more. I want to be bigger." And you're either going to be able to accommodate them, you're going to be able to figure out how to take that step with them, or you're going to lose them.

It's OK if we wiretap Osama bin Laden. I want to know what he's planning - obviously not him nowadays, but that kind of thing. I don't care if it's a pope or a bin Laden. As long as investigators must go to a judge - an independent judge, a real judge, not a secret judge - and make a showing that there's probable cause to issue a warrant, then they can do that. And that's how it should be done.

No one would argue that it's in the United States' interest to have independent knowledge of the plans and intentions of foreign countries. But we need to think about where to draw the line on these kind of operations so we're not always attacking our allies, the people we trust, the people we need to rely on, and to have them in turn rely on us.

My case clearly demonstrates the need for comprehensive whistleblower protection act reform. If we had had a real process in place, and reports of wrongdoing could be taken to real, independent arbiters rather than captured officials, I might not have had to sacrifice so much to do what at this point even the President seems to agree needed to be done.

In the United States the White House has appointed two different independent panels who had full access to classified information for the last 10 years that master balance has been in place in the United States, and they found that despite intercepting the calls - everybody in the country, - it had never stopped a single terrorist attack. So the question is, why would these officials be pursuing these policies, if we know they don't work, if they don't stop terrorism?

Osama bin Laden's organization has spun out from him and is now probably independent of him. There will be others who will appear and reappear. This is why we need a much more precise, a much more defined, a much more patiently constructed campaign, as well as one that surveys not just the terrorists' presence but the root causes of terrorism, which are ascertainable.

You know, independent films have been institutionalized, practically. Every studio has got a boutique arthouse label.

You know, independent films have been institutionalized, practically. Every studio has got a boutique arthouse label. There's like, 18 different independent film-financing funds. In fact, I think the children of those films are getting made. A more interesting question is whether those films are going to get seen and appreciated.