I find it interesting, the different rules that apply to journalism and drama, even though journalism has become more and more about entertainment, and entertainment has become more and more about journalism.
Joanna Priestley is one of the most interesting and adept personal animators and filmmakers. I have enjoyed her work for years and been amazed at how she gets into her own thoughts onto the screen in a very elegant and focused way. You have to see this.
I wanted to be a painter and an artist. And it's interesting that in some of my later musical works, I refer so often and associate myself with works of art.
The fairies in the ancient notion of fairies, they are not positive and cute and twinkly.They can be incredibly nasty or they can be incredibly benign. It's a really interesting mythology when you dig into it.
But at the same time, never having final cut before, I really learned an interesting thing for any studio executive who is reading this: that if a director has final cut, it's actually easier and more interesting to listen to notes.
I was doing an interview with Charlie Rose and he said, "What do you think about Margaret Thatcher?" - and I had not heard she had died at this point - and he said, "Is there any kind of Shakespearian overtone here?" I said, "Well, actually, Julius Caesar, because ever if a politician was stabbed in the back, it was Mrs. Thatcher, by all her conspiratorial cabinet, which really did just stab her in the back." It's a rather interesting resonance.
The problem with natural language processing and the thing that really holds the technology back, is that when it crashes and burns, it's horrific. I think we would be in a position to really take a serious look at it, once two things happen. The interesting thing about a dialogue-choice system is that we've devoted so much into all kinds of other systems for processing, and dialogue choices use zero processing. So suddenly, if you want to have a great natural language processor, you need to dial down your graphics to make it work.
I had co-written one episode of an animated show called Jem and the Holograms. Which at the time I didn't view as the start of a career, I viewed it as, "Hey, someone wants to pay me to write something, and I might get a TV credit, isn't that cool?" So I did it with my writing partner at the time, Cary Bates, and it was interesting but it didn't lead to anything and I didn't think too much about it.
It's not easy to tell a story about writers and make that feel like a complete story and an interesting story.
Good scripts and interesting stories are hard enough to find.
Ultimately, I'm not so sure that, as a person, I'm all that interesting.
I always try to find something or some way of delivering the lines or playing the scene that you wouldn't normally expect. And I know that sounds weird, because it's not like I surprise people with shocking performances. But in an interesting way... Just being real and as interesting as possible. Usually, that stuff is the spine of the show. It's the humor that you need in a scene, in an intense moment or something.
I've been playing the bad guy in the last seven or eight projects I've done. I like it. It's a lot more interesting! Being the good guy gets a little stale after a while, you know?
There are similarities between being an editor and a tailor. Tailors have a vast supply of fabrics, buttons and thread at their disposal and put it together to make a whole. That's what an editor does - looks at society at a given time and pulls together the interesting aspects into a single issue each month.
The photograph is always more interesting than what the photograph is of.
One of the magical things about photography is the transformation that takes place when you photograph something. Something that inherently has very little going for it in terms of the interest you take in it, can become infinitely more interesting when rendered as a photograph. It's no longer a building. It's a photograph.
With my solo music, often it's just about looking for interesting sounds that may or may not resonate emotionally.
Sometimes you have to do a role that might not be the most interesting, but it will set you up for doing roles that you want to do.
All my interesting stories are from before I was on television. Nothing interesting has happened to me since then. Maybe it's because the most interesting thing in my life is the show and that's on telly.
Every film takes on its own life. I find it very interesting to show an audience some part of history that maybe they don't know.
You start out performing because it's fun, then you learn more things and you want to do more than go "Na-na-na-na" on a stage. The production end is interesting, writing is interesting, and you learn to coordinate all these things.
The fact that I don't get big offers, it means that I don't refuse them. And I say no occasionally to bands, if I find them not very interesting to me. Or sounds like a copy of something else, I will say no. But 97% of the time, I say yes thank you to any jobs I'm offered.
But there's times when I like to find the strange angles to something. People go, 'I heard a lot of jokes like that, but that's one of the most interesting takes I heard.' That's what I try to do.
Scene study is isolated. I suppose its interesting, but I dont think it really teaches you about a throughline. A throughline is something you feel when you do one scene followed by another followed by another.
The proverbial thirteenth chime of the clock - is not only wrong itself, but calls into question everything that came before it.
