I got an amazing 10-CD set, it's the music that Alan Lomax recorded in Haiti in 1936. And what's incredible is how fantastic the drummers are and how off-the-grid they are. The liveliness is astonishing; they're just totally alive, these recordings. It's very interesting, to me, to be reminded of that, that there was a time when things were not that tight.
You can't do anything interesting with cutting-edge technology except not make it cutting-edge.
I know that if I had a television in my flat I would convince myself that everything on it was really interesting. I would say, 'I'm a Celebrity - Get Me Out of Here!' is so sociologically fascinating that I think I'd better watch.
I had an interesting day. I was in the studio with a group of musicians, who shall remain nameless, and I said to them "Our exercise today is not to use 'undo' at all. So, there's no second takes. Or, if you do a second take, you have to do the whole take. There's no sort of drop in, change that little bit". The session broke down in, I'd say, 40 minutes. It was impossible for people to work in that restriction any longer.
Popper and Nabokov are very different people in some ways - and I'm ready to devote large chunks of my life to both of them. Popper didn't think much of words but thought ideas mattered, and Nabokov didn't think much of ideas, but words mattered, and so on. But both of them had a sense that this is a world of infinite discovery, unending discovery. That quest to discover more in any direction is what I think drives me, and what drives humans, when they're doing the most interesting things.
So in terms of a large part of the job on our show specifically, what makes the show complex and interesting and funnier are the conversations about "Where's the camera?" and "How aware are the characters of the camera? Are the cameras hidden for this shot? Is it a spy shot from far away? Or is it really close and in their face, and they sort of have to play to it in an embarrassing situation?" There's a whole other level of questions and choices that come into play on our show that are not even a factor in anything else.
With "Taipei" Tao Lin becomes the most interesting prose stylist of his generation...
It seemed like an interesting movie [Independence Day], and I thought I had a take on the part that was going to be unique. That doesn't happen to me very often.
As an actor, to get a gift of a part like that is unusual. And then, to have the prospect of another one is always going to be interesting and exciting.
There's something about working in adverse conditions. It keeps it interesting. I always notice if I ever sit down with a pen and piece of paper and a guitar, and I have a beverage and an ashtray and I'm comfortable on the couch, I fall asleep.
The more limitations you put on a character often times the better a character you'll make them, the more interesting the story becomes because the character can't simply wave a hand and make something happen. They have to work within the framework.
If I am lucky and find material that is interesting to me, I want to make it.
I'm such a damn workaholic, that it's interesting to be like, "Oh, what do I do for fun?"
It's interesting to see what's going on with physics these days because they're starting to come out with stuff that sounds remarkably like Buddhism and even more specifically like the ancient Hindu Vedas. Physics isn't necessarily saying the exact same thing but I think eventually it will merge.
I dare make those comparisons, but we often said 'the making of' would be as interesting if not more interesting than the film.
If there are similarities, it's simply because the same thoughts that occurred to other people also occurred to me. I'd be astonished if anyone could come up with any truly original powers that were at all interesting any more.
For me the most interesting thing about Leigh Bowery was the way he used his body as a style statement. He was a big guy, but, because he was tall and had long legs, he looked in proportion - even sexy - despite being overweight by conventional standards.
You find out so many interesting things when you're not on drugs.
If you can take it to the next level and really tell an interesting story in a unique and fresh way, then I feel like that's a great song.
Stand-up was interesting to me at the beginning, because I was trying to parody it. My early stand-up was really Andy Kaufman-esque, and then I became the very thing I was making fun of.
I try to have all my characters have a sense of humor. To me the most interesting thing is a desperate character. I think desperation is funny.
The nature of comedy is 'just do it.' But I think what's interesting about it is this joke has been around and why. And it's just saying what's wrong and how wrong can you be if you say it.
You think everybody's paying attention to what you're doing. No, they're paying attention to what's interesting to them.
I started my career by becoming a stalker, watching women in the street, the way they greet each other. I thought if I could capture some of that expression, that depth of emotion, it will make me interesting to watch as an actor.
Fortunately, we have writers who very much respect the classic characters and the integrity of the classic characters, that are also terrific comedy writers and are able to put these classic characters in new and interesting, and quite funny situations for today.
