Long Quotes - Page 488

The script comes first. If that isn't good enough, you know it's gonna be a long ride.

Long-term success depends upon trust.

The business virtue par excellence is honesty without it markets can't long survive.

Something I still work on today is ankle flexion—ankle pressure in your boots. There is no way to turn or have your skis carve unless you’re going down the hill leaning forward, and that puts you in a good athletic position to do whatever you want to do on your skis—make quick turns, make long turns, or absorb bumps.

The early 2000s for me were a very emotional time, politically. I'd been through Reagan and been through first Bush and Clinton, and it's not like I had an easy time through those years. But I just thought it was particularly rough. I have to say the World Trade Center attack was very weird for me. The events that followed were worse. It was a really long swath of time.

Despite the fact that I trust the people at major labels who tell me that they want to offer me a home as a "stable artist," who can just do what he does for the long haul, time has shown that it rarely works out that way - the bottom line is the bottom line, not mention the threat of mergers and firings and whatnot, and people get dropped.

I've written some poems that are in the middle ground - who are in between very challenging and abundantly clear, but there's a tremendous investment in the challenging poem, and it's been going on so long that the whole infrastructure supporting it, a lot of critics and theorists and so on are deeply invested in maintaining that status.

She suddenly began to jump up and down, screaming at the top of her lungs. "The arks are after me! The arks are after me! Help me, the arks are after me!" .... "The arks! You don't understand, I have the ring and the arks are after me!" .... (and so the police officer is puzzled long enough for Miriam and Seth to escape)

I had trouble hanging around [Shelley Long] until we stood onstage together, and then I was in heaven.

Donald [Trump] has had a long career of using great wealth and power trying to bully others.

We will not defeat radical Islamic terrorists as long as we have a president [Barack Obama] unwilling to utter the words 'radical Islamic terrorists'.

I believe over the long term he's going to have the money, and he's got the message, that this is going to be one of the finalists for the presidential campaign.

I like Donald Trump. I appreciate that he's focusing on illegal immigration. It's an issue I've been fighting a long, long time. I think people are very concerned, for example, about the problems of sanctuary cities and - and that is something that's a - that people are finally turning their attention to.

Marco Rubio said he was personally open over a long period of time to offering a path to citizenship for immigrants here illegally. Rubio's work on a comprehensive immigration bill is one of his biggest vulnerabilities with Republican primary voters.

I am perfectly happy to compromise whether it's with Democrats or anybody else, as long as we're reducing the size of government.

I think comedy is no different now than it was at other points. It takes a long time to get good and know how to distill what makes you funny beyond the realm of standup, which is what I'm trying to do with 'Teachers Lounge.'

In the end, all you want is someone to long for you when it comes time to put you in the ground.

I am alone a lot, which is good. I need that time to just be alone after a long day, just decompress. So, I go to either my house or the hotel, or my apartment, or whatever - wherever I am, I go home and I watch TV and I sit there, with my cat, and I just watch TV or go online, check my emails.

I realized that I have very long arms so I can take the perfect arm-length picture with fans

I have been singing randomly, obsessively, obnoxiously for as long as I can remember.

I fought the idea of having security for a very long time, because I really value normalcy. I really do. I like to be able to take a drive by myself.

I think the long-term goal is to continue to grow as people and as a unit, individually and together, and hopefully continue to keep making records that are better every time, because if you're not moving forward, you're either standing still or regressing.

I was 21, and I was like, "Man, am I really gonna start over and try this whole thing over again? Do I want to start over and be in a rock band again and try to act like a 17-year-old for as long as I can?" Because that was what I was doing with Simon Dawes band. I decided that if I was going to go on playing music, I was going to try and work on it. So I got into Leonard Cohen and Will Oldham, guys that really inspired me not only as songwriters but also through their music as people, and that's kind of what the shift was for me.

I don't think I was ever thinking critically about my aesthetic, I think it's enough when you're little just to understand that you can give yourself the permission to try and see things differently or create something original, even though you probably won't make anything original for a really long time.

We do long-form-style improv. Our focus was characters and telling a long arc story over about an hour and a half. It was closer to a one-act play than one-off sketches.