One thing I really don't like seeing is when girls do a full contour and then foundation and then powder and then more contour and it's a full face of makeup. I don't like that at all.
I feel so excited for what's happening in fashion now in general because it's really inspiring for women to create a look and have fun with makeup again. I think it's intimidating sometimes when you go to a department store and you're like, " Oh my god I love those colors, but what do I do with them"?
I'm a Southern lady that almost never leaves the house without makeup on.
I met [Gilda Radner] on the first night of filming ... Hanky Panky that Sidney Poitier was directing. And it's funny, I was in costume and makeup - my tuxedo and makeup because I'd done a few shots before she arrived, and she told me later that she cried all the way in, in the car, because she knew that she was going to fall in love with me and want to get married.
When you are on the set, you have different departments - you got camera, sound, props, hair, makeup, catering, executives. Imagine each one of those are spokes on the wagon wheel. All the spokes come into a hub: the hub is the director. The wood the spokes go into are distribution and promotion; the steel wheel around the hub is the film. None of these have anything in common with each other.
This is the essence for every human being to realize that who they are, essentially, is far more than the physical body and is far more than the mental body, the psychological makeup, the psychological "me" body. Who they are is far deeper than that.
Everyone that works under the Coen brothers , in every department - makeup, hair, production design, wardrobe, so on and so forth, grip, lighting, tech, everything - they're the best. So to be on a set when you're working with the very best in the industry was a real privilege.
You look for stars. You look for the makeup of artists who can have long lasting careers and who could be headliners.
It gets on my nerves when women take too much time on makeup. You would think after a lifetime they would have the process down to less than 45 minutes!
I'm not a make-up person, I always take a less-is-more approach to my routine. Less is more: "no makeup" makeup.
Makeup is such a weird concept. I'll wake up in the morning and look in the mirror. 'Gee, I really don't look so good. Maybe if my eyelids were blue, I'd be more attractive.
Women have been doing very, very strange things for centuries. I mean ancient Egyptians were already doing that, but I don't necessarily judge people who do. I don't really think it makes people look better; they just look different.
Some days I'm very lazy, and some days I'm more inspired. I've got things I've had since I was fifteen - I don't throw anything away. I prefer to give it to a friend so I can wear it again...The way I dress doesn't necessarily have to do with fashion, or what is current, or what is in right now, it's more about rediscovering things.
I much prefer a natural approach to beauty. You know, Coco Chanel always said to take one thing off before you leave the house, and I think that also applies to makeup.
Personally, I prefer to play against the look: If a character appears particularly unhinged, with makeup running down her face, I like to play her as if she has it together. I think that juxtaposition makes it so much more interesting.
Makeup can help you capture a moment.
Initially I objected to the Data makeup. I said, "Why do I need this makeup? Why can't I just look like me?" In fact, I said to Gene Roddenberry, "Don't you think that by this time in history, they would've figured out how to make skin look like skin?" And he said, "What makes you think that what you have isn't better than skin?" And I went, "Um, okay."
I wash my face every night with Ivory soap, and I don't wear much makeup.
The most common mistakes women make when applying makeup are not applying it in the proper light and not using their hands as blending tools.
Think of all the women you know who will not allow themselves to be seen without makeup. I often wonder how they feel about themselves at night when they are climbing into bed with intimate partners. Are they overwhelmed with secret shame that someone sees them as they really are? Or do they sleep with rage that who they really are can be celebrated or cared for only in secret?
I've never really seen myself as an actress. I told myself, 'I'm not going to get a job where I need to put on makeup, or one that I need to do my nails.' I hate the idea of putting on makeup, then removing it.
I knew I wanted to make a movie that looked decadent and expensive. I knew we would have to make every penny stretch and put as much of the budget onscreen as possible. So it starts with your heads of departments - your production designer, costume, hair and makeup designers. Picking the right people who were as committed as I was to telling the story as I was.
You never know what's going to happen, so I get up at 6 a.m. every morning. It's a new wakeup call for me, for sure. But you just want to be polished. That way, if anything happens, I'm ready to go. I'm not going to sit in a makeup chair for an hour and be like, "Then I'll go get the story."
I feel like whole idea with makeup is that I don't want anyone to think, 'Oh she's wearing makeup.' I just want them to think, 'Oh she looks good!'
My personality is just innately even-keeled. I'm not such a huge daredevil. Which is not to say I'm not a passionate woman. I don't know, maybe it's my physiological makeup, but I don't like the feeling of anything in my system, other than a glass of wine now and then.
